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  • Remembering Norman Hollyn, ACE — Telling Great Stories from the Editing Room

    Norman Hollyn shares with Avid his views on the creative film editing process, his work on the 2017 film Shot, and the value of collaboration.

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  • HP, AMD, and Avid: Creating the Future Together

    Z by HP and AMD are committed to superior Avid performance through entry-level and high-end hardware solutions. Learn more about our partnership at Connect 2019 (Kiosk #17) and NAB.

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  • Sundance 2019 — Making the Movie Big Time Adolescence

    At the 2019 Sundance Festival, Director Jason Orley and the editorial team for the movie “Big Time Adolescence” talk about the story of a teen drawn to a group of degenerate young adults.

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  • Bulletproof ScriptSync!

    Need to edit your documentaries faster? Get Avid’s ScriptSync option and follow these 6 easy steps by FRONTLINE editor Steve Audette, ACE.

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  • The Revolution and Evolution of Virtual Guitarist

    UJAM Virtual Guitarist makes it easy and fast to lay down guitar foundations that are part of your unique and great-sounding music. Get it on Avid Marketplace

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  • Avid Live Sound and Studio Solutions at Prolight + Sound 2019

    Avid will be showing a range of live sound and studio systems in Hall 8 on Stand F86 at Prolight + Sound 2019 in Frankfurt, Germany (April 2-5), including the VENUE | S6L family of consoles, Pro Tools software, control surfaces, and more.

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  • Sundance 2019 — Joe Krings on Editing After the Wedding

    Avid’s Matt Feury talks with film editor Joe Krings about making the movie “After the Wedding”, including compressing the schedule for Sundance 2019, meeting technical challenges, choosing great movies to do, and building the skills to create unique stories.

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  • Secrets That Will Help Improve your Recording and Mixing Skills

    If you want to see how to create better sounding music faster, and improve your mixes, this training is a fun and fast way to gain those skills!

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  • BlacKkKlansman Editor Barry Alexander Brown: “Cutting on Media Composer? To Me There Is No Second Choice!”

    Editor Barry Alexander Brown prefers using Avid Media Composer to cut Spike Lee’s movies.

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  • VENUE | S6L-16C Makes its Unofficial Debut at the Sundance Film Festival

    Avid’s Chant Peck takes you backstage at the Sundance Film Festival and shares how VENUE systems—including the new S6L-16C—were used to mix various events.

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  • Sundance 2019 — Catherine Haight, ACE, on Editing Troop Zero

    At the Sundance Festival, editor Catherine Haight, ACE, talks about making the movie Troop Zero, the process of creating the story, expanding expertise, picking scripts, building a career, and finishing the film in time.

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  • S6L-16C, VENUE 6.1, and New Function Pad iOS App Now Available

    The new compact Avid VENUE | S6L-16C control surface is now available, along with the new VENUE | Function Pad iOS app, and new VENUE 6.1 software that introduces redundant Pro Tools recording over Ethernet AVB, custom encoder layouts, and much more.

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