Tiffany Miranda and Whitney Taber of Girls Make Beats give us an inside look into their non-profit organization and what inspired them to start this program.
Lillian Benson, ACE, discusses how good storytelling, intuitive editing tools like Media Composer, and a strong sense of self can benefit editors.
Use the power of your voice to help guide our future strategy and product road maps so that together, we can all win.
Dwayne Brown, Director of Creative Technology at Rogers Media Inc., is one of the speakers at Avid Connect 2018. His session is titled Delivering Compelling Sports Content.
Nathaniel Kunkel and Alan Meyerson discuss many applications for which DynPEQ is well-suited and a few for which DynPEQ is uniquely suited.
Film Production student Noah Kovalick recounts what he learned from some amazing audio professionals in his rookie year at Avid Connect.
“Connect is like a mini-NAB just for Avid users.” Craft editor Chris Bové explains what happens at Avid Connect 2018, the weekend before NAB.
Accelerate your entire workflow with Avid MediaCentral’s advanced search capabilities, leveraging powerful global search, filter, and indexing tools.
Virginia Katz, ACE, finds great creative freedom over picture and sound with Avid when editing movies like Beauty and the Beast and Dreamgirls.
You have a voice in what Avid delivers. As a member of the Avid community, you play an important role in our collective future and we want to make sure we hear from you.
In this quick video tutorial we’ll show you two different ways to create a blur transition between two shots in Avid Media Composer.
Avid Consulting Lead and Delivery Manager Claire Humphries invites some of her team to comment on their view of International Women’s Day; Women Working in the Broadcast Tech Domain