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Virginia Katz, ACE, finds great creative freedom over picture and sound with Avid when editing movies like Beauty and the Beast and Dreamgirls.
You have a voice in what Avid delivers. As a member of the Avid community, you play an important role in our collective future and we want to make sure we hear from you.
In this quick video tutorial we’ll show you two different ways to create a blur transition between two shots in Avid Media Composer.
Avid Consulting Lead and Delivery Manager Claire Humphries invites some of her team to comment on their view of International Women’s Day; Women Working in the Broadcast Tech Domain
New EUCON 2018.3 software update is now available for Avid control surfaces, delivering Pro Tools | Control app and Multi Workstation Softkey Macro support for Pro Tools | S6, plus a variety of enhancements for all EUCON-enabled controllers.
John Meehan, brass arranger for the world champion Blue Devils, highlights the first step in using Sibelius — inputting music to be molded into your arrangement.
AudioLab-Lb is the first sound production and rental company in Lebanon to purchase two VENUE | S6L consoles. Read all about their new live sound experience.
Edie Ichioka, ACE, discusses with Avid how an important part of the editing process for animated films takes place before scenes are rendered.
Editors Catherine Haight, ACE and Gabriel Fleming chat with Avid’s Matt Feury about the road to the Sundance Film Festival.
Delivering powerful stereo enhancement through immediate, accessible interfaces—NUGEN Audio introduces Stereopack Elements AAX plug-ins. This March, get 70% off Stereo Pack Elements at shop.avid.com.
LIVE! Watch the 2018 Oscar-nominated film editors in ACE’s “Invisible Art, Visible Artists” panel on our Facebook page. Join us on Saturday, March 3, at 10:30 AM PST