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  • The Rough Cut: Greg Spence

    Get an inside look at Game of Thrones visual effects process and how they blend great location scouting with digital imagery to make fantasy a reality.

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  • Food. Wine. Live Music. And Perfect Sound. The inaugural BottleRock Napa Valley Festival had it all.

    Some of the world’s hottest bands, artists and performers came together to kick-off the inaugural BottleRock Napa Valley this past weekend. The four-day festival brought together the perfect mix of our favorite things: food, wine and, of course, live music!

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  • Understanding the Audio EQ Tool

    Gain a general understanding of the EQ Tool in Media Composer and learn what it allows you to adjust.

    by Benjamin Hershleder
  • Musikmesse 2013: Abbey Road Studios Discusses Benefits of HDX and Impression of Pro Tools 11

    Abbey Road Studios’ upgrade to Pro Tools HDX systems has helped the studio acquire the processing power they need to tackle the largest projects.

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  • NAB 2013: Bringing Game of Thrones to Life

    Going inside the globe-spanning workflow behind HBO’s epic series Game of Thrones.

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  • NAB 2013: True Blood Editor Mark Hartzell

    Editor Mark Hartzell is taking a break from screening dailies of the hit HBO show True Blood to attend his first NAB Show.

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  • The Evolution of a Platform

    It has taken many years of development, but with Pro Tools 11 and AAX, we believe we have truly created the highest performance, most deterministic, lowest latency DAW and plug-in platform in the world.

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  • The Rough Cut Morgan Spurlock

    The Rough Cut: Morgan Spurlock

    Documentary filmmaker Morgan Spurlock (Super-Size Me, The Greatest Movie Ever Sold) is proof that self-made success can be had.

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  • Working with Audio in the Track Control Panel

    Tips and shortcuts for a part of the Media Composer timeline that doesn’t always get a lot of attention–Track Control Panel.

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  • The Rough Cut Eddie Hamilton

    The Rough Cut: Eddie Hamilton

    Eddie shares his passion for the art of editing and gives a behind-the-monitor look at the techniques he used on the films X-Men: First Class and Kick-Ass.

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  • Understanding Filler

    I was thinking about how many of the editors who are beginning to add Media Composer to their digital tool kit are often initially confused by Filler.

    by Benjamin Hershleder
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