Learn how to embed your favorite sound effects with track presets in Pro Tools and easily catalog and recall them in your sessions for audio post production workflows.
Track Presets in Pro Tools let you easily create sub-templates of sound effects so you can catalog and quickly drag-and-drop them into your session for audio post production workflows.
Learn audio post production playlist comping workflows in Pro Tools 2018 for ADR and voice over. Watch the tutorial videos on Avid Blogs.
Introducing the Avid VENUE | S6L Unified Live Sound Platform, S6L now offers more component options than ever to configure and scale a system to meet any production, space, or budget requirement.
Avid was honored to once again support sound editing and mixing for last year’s nominated student films at the 2018 MPSE and CAS Awards.
Nathaniel Kunkel and Alan Meyerson discuss many applications for which DynPEQ is well-suited and a few for which DynPEQ is uniquely suited.
New EUCON 2018.3 software update is now available for Avid control surfaces, delivering Pro Tools | Control app and Multi Workstation Softkey Macro support for Pro Tools | S6, plus a variety of enhancements for all EUCON-enabled controllers.
Delivering powerful stereo enhancement through immediate, accessible interfaces—NUGEN Audio introduces Stereopack Elements AAX plug-ins. This March, get 70% off Stereo Pack Elements at shop.avid.com.
From new MIDI enhancements, to the ability to save your favorite effects chains and instrument sounds as track presets, Pro Tools 2018 enables you to keep your creativity flowing.
With Track Presets in Pro Tools 2018, you can quickly save, catalog, and recall your favorite effects chains, vocal processing, session import criteria, and other track settings
Avid Pro Tools 2018 makes it easier than ever to get started with collaboration, convert sessions to project files, and invite others to contribute.
Learn how to set up and start working with an iLok Cloud session to start working dongle free with the latest version of Pro Tools 2018.
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