Audio Post

  • Master the Art of Post Mixing

    Mixing Dialog

    In Episode 2, we dive into the basics of mixing dialog including production, ADR and FUTZing. We also look at the concepts of best dealing with muting tracks and advanced automation features like Preview mode.

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  • ‘Sherlock’ Team Unlock the Secrets of Sound Editing at BVE 2015

    Acclaimed supervising sound editor Doug Sinclair and series re-recording mixer Howard Bargroff took to the stage at this year’s BVE to present a comprehensive look at the creation of an intense soundscape for award-winning finale of Sherlock series three: ‘His Last Vow.’

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  • Harbor Films New York Delivers the Soundtrack for the Netflix Original Series 'Marco Polo' with Pro Tools | S6

    Harbor Picture Company Delivers the Soundtrack for the Netflix Original Series ‘Marco Polo’ with Pro Tools | S6

    “Marco Polo” is an epic adventure that follows the early years of the famous explorer as he travels the exotic Silk Road to the great Kublai Khan’s court. I recently sat down with mixers Roberto Fernandez and David Patterson from Harbor Sound to learn how they mixed the first 10…

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  • Exploring the Sounds of ‘Dawn of the Planet of the Apes’ with Re-Recording Mixer Will Files

    In this interview, Will Files, sound supervisor and re-recording mixer, talks about his work on the ‘Dawn of the Planet of the Apes’ and covers some of the technical aspects of pre-dubbing in Pro Tools, his use of plug-ins and how he approached mixing for Dolby Atmos.

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  • MPG Awards: Andy Bradfield

    Mixing the Moulin Rouge and More with Andy Bradfield

    In the second of a series of Avid Blogs Music articles celebrating the nominees of this year’s Music Producer Guild Awards, legendary producer and mixer Andy Bradfield gives us an insight into the exciting projects he’s been a part of during his career.

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  • Pro Mixing: How Technicolor Toronto Collaborates in the Real World with Avid Everywhere

    Pro Mixing: How Technicolor Toronto Collaborates in the Real World with Avid Everywhere

    This is part two of our end-of-summer article about Technicolor Toronto and Re-recording Mixer Frank Morrone’s experience mixing ‘The Strain’. Here you’ll see an interview with Frank and other key folks at Technicolor Toronto and why they chose the Avid Everywhere integrated solutions and workflows for post mixing.

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  • Frank Morrone, Technicolor Toronto

    Technicolor Toronto

    Learn how Technicolor Toronto leverages integrated pro mixing products and workflows from Avid in order to deliver soundtracks for the biggest IMAX, film and TV productions. In this interview with the Technicolor Toronto team, we cover the new Pro Tools | S6 control surface, Pro Tools | HDX systems, System…

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  • Pro Mixing: Inside the Making of 'Hypnotic Eye' with Ryan Ulyate

    Pro Mixing: Inside the Making of ‘Hypnotic Eye’ with Ryan Ulyate

    I recently sat down with Ryan Ulyate to discuss Tom Petty and the Heartbreakers’ chart topping ‘Hypnotic Eye’ album, which Ryan recorded, mixed, and co-produced. He walked me through the entire process of crafting the #1 rock album—take a look.

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  • Pro Mixing: London’s Top Post Facilities Embrace Pro Tools | S6

    Pro Mixing: London’s Top Post Facilities Embrace Pro Tools | S6

    Visiting top London post facilities, I was struck by their incredible modern design and breadth of work. For them, choosing a mixing surface requires complete customization and powerful control with deep visual feedback in a compact format. Here’s a look at why they all choose Pro Tools | S6.

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  • Modern Music Mixing with System 5 and Pro Tools

    Pro Mixing: Modern Music Mixing with System 5 and Pro Tools

    Some would say that the traditional large format analog consoles have magic in the circuits to produce that hit record recipe. Some have said that a digital console lacks that magic and it’s summing is sterile. But owners of the System 5 and the S5 Fusion would say otherwise.

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