Making The Cut

  • Making The Cut: Tony Cranstoun, ACE — The Art Remains the Same

    Tony Cranstoun, ACE recalls the transition from film editing to digital, and the impact that nonlinear technology had on the…

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  • Making The Cut: Caroline Bleakley — Trust Your Instincts

    Caroline Bleakley edits television drama — trusting her instincts to taking time to review edit decisions.

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  • Making The Cut: Gordon Mason, ACE — Work, Work, Work

    Editor Gordon Mason, ACE discusses documentary editing work on projects such as Panorama and Who Do You Think You Are?…

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  • Making The Cut: Jake Roberts, ACE — The Joy of Discovery

    Jake Roberts, ACE discusses his longtime use of Avid editing tools and how he still finds new functions that help…

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  • Making The Cut: Chris King, ACE — The Power Of a Simple Cut

    We talked with editor Chris King, ACE about the fluid nature of documentary narratives and the importance of finding a…

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  • Making The Cut: Steven Worsley — Learning From Experience

    Steven Worsley discusses his recent drama projects, including War and Peace, and what he learned from being an edit assistant.

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  • Making The Cut: Pietro Scalia, ACE — Learning From a Master

    Multi-award winning editor Pietro Scalia, ACE, discusses his approach to film editing, which see him identifying his own emotional reactions…

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  • Making The Cut: Tim Porter, ACE, Talks Working With Avid on “Game of Thrones”

    For someone who admits that he never wanted to become an editor, Tim Porter, ACE, has amassed a pretty formidable…

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  • Making the Cut: Sarah Reimers Talks Her Love for Editing and Avid Media Composer

    With credits including “Brave”, “Finding Dory” and the recent, charming Pixar short film “Piper”, Sarah Reimers is now firmly established…

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  • Making The Cut: Gary Dollner Talks Editing Comedies

    From “I’m Alan Partridge”, “The Thick of It” and “Veep”, to Ricky Gervais’ “David Brent: Life on the Road”, editor…

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