Timeline Tuesday

  • Cutting a Long Story Short — Editing Movie Trailers

    Ever wondered who cuts those powerful movie trailers? Follow along with Paul Cartlich and see how he edits the trailer…

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  • Editing Spanish Feature Film ‘Gernika’: The Story Beyond the Bombs

    The story of “Gernika” offered Spanish editor José Manuel Jiménez the perfect opportunity to combine structure, narrative, rhythm and acting…

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  • Josh Earl, ACE, Cuts Down 30,000 Hours of Footage to 18 Episodes for Discovery Channel’s “Deadliest Catch”

    While Josh Earl, ACE, dabbled in many genres and techniques — from trailers to features, scripted to unscripted — editing…

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  • Scott Carnegie Writes, Directs, Produces and Edits Ultramarathon “Brain Freeze — The Great Slurpee Run”

    What do you get when you combine an ultramarathon with Manitoba, the Slurpee capital of the world? Director, producer, writer,…

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  • From Flatbed to Media Composer — Veteran Editor Ron Sussman Looks Back at 30 Years of Creative Tools

    As Ron Sussman finishes the edit of Lisa Eastman’s documentary “Living Off The Manhole”, he takes us back to 1989.…

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  • GA Gowtham Edits Breezy Love Song ‘Unnale Unnale’ on Avid Media Composer

    Soon after its first rough cut, post production of music video “Unnale Unnale” moved from Mumbai to Chennai City in…

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  • The Super Bowl Halftime Show—Guy Harding Cuts Multicamera Monster Projects (Part 2)

    In his second Timeline Tuesday article, Guy Harding takes it up a notch. For the multicamera pre-edit of the Super…

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  • From U2 to Victoria’s Secret—Guy Harding Cuts Multicamera Monster Projects (Part 1)

    LA-based editor Guy Harding has cut some of the largest multicamera live shows on the planet. In the first episode…

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  • Soundscaping the Trailer for Kickstarter Project ‘Magpie, the Untold Stories of World War II’

    Thanks to the trailer video on their Kickstarter page, the team behind the movie ‘Magpie’ raised enough money to start…

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  • Coming Back to Media Composer to Edit Colombian/French Feature Film ‘Anna’

    To cut feature film ‘Anna’, editor Mauricio Lleras decided to return to Media Composer and immediately loved how the software…

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