Video Editing

  • Rhythm, Pre-vis, and the Magic of Montage: The Making of British Indie Thriller ‘Last Passenger’

    Rhythm, Pre-vis, and the Magic of Montage: The Making of British Indie Thriller ‘Last Passenger’

    In this exclusive interview, ‘Twelve Years a Slave’ editor Joe Walker talks about his most recent project to hit theaters,…

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  • Avid Media Composer 7 NewBlue Titler Pro Video Editing Plugin

    Media Composer 7: Get Started Fast with NewBlue Titler Pro

    Learn how you can create 2D, 3D, and animated titles inside your own timeline of Avid Media Composer with the…

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  • What's New in Media Composer 7

    Media Composer: 10 Changes in Media Composer 7 You’ll Want to Use Right Now (Part 2)

    Find out what’s new in Media Composer 7. Check out my next 5 short videos of the top changes that…

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  • What's New in Media Composer 7

    Media Composer: 10 Changes in Media Composer 7 You’ll Want to Use Right Now (Part 1)

    Find out what’s new in Media Composer 7. Check out my 10 short videos of the top changes that come…

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  • The Rough Cut: Greg Spence

    Get an inside look at Game of Thrones visual effects process and how they blend great location scouting with digital…

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  • Understanding the Audio EQ Tool

    Gain a general understanding of the EQ Tool in Media Composer and learn what it allows you to adjust.

    by Benjamin Hershleder
  • NAB 2013: Bringing Game of Thrones to Life

    Going inside the globe-spanning workflow behind HBO’s epic series Game of Thrones.

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  • NAB 2013: True Blood Editor Mark Hartzell

    Editor Mark Hartzell is taking a break from screening dailies of the hit HBO show True Blood to attend his…

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  • The Evolution of a Platform

    It has taken many years of development, but with Pro Tools 11 and AAX, we believe we have truly created…

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  • The Rough Cut Morgan Spurlock

    The Rough Cut: Morgan Spurlock

    Documentary filmmaker Morgan Spurlock (Super-Size Me, The Greatest Movie Ever Sold) is proof that self-made success can be had.

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