Get Started Fast with Media Composer for High-Res Workflows—Episode 3

By in Get Started Fast with Media Composer, Video Editing

Episode 3: Editing in High-Res Projects

Welcome to the third episode of our 5-part tutorial series ‘Get Started Fast with Media Composer for High-Res Workflows’ on Avid Blogs. In this video, I will focus on editing in High Res projects specifically; starting with the concept of Color Encoding and FrameFlex adjustments, explaining how to use the Proxy Timeline, as well as looking at stylistic adjustments like LUTs. Finally, I will show you three handy new features in Media Composer (Mask Margins, Display Color Space, and Color Info Tool).

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I am an Avid Media Composer editor for over 17 years, the lead trainer for Media Composer at MacProVideo.com and one of the Senior Editors at Extreme Reach in Toronto, Canada, who's current clients include Paramount Pictures, Warner Bros. Pictures, Walt Disney Pictures, 20th Century Fox and E1 Entertainment to name a few. I can also be found helping out in the Avid Community Get Started Fast customer forum.