Making The Cut

  • Making The Cut: Tim Porter, ACE, Talks Working With Avid on “Game of Thrones”

    For someone who admits that he never wanted to become an editor, Tim Porter, ACE, has amassed a pretty formidable list of editing credits over the last decade – including “Shameless”, “Doctor Who” and “Game of Thrones”.

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  • Making the Cut: Sarah Reimers Talks Her Love for Editing and Avid Media Composer

    With credits including “Brave”, “Finding Dory” and the recent, charming Pixar short film “Piper”, Sarah Reimers is now firmly established in the leading ranks of animation editing talent.

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  • Making The Cut: Gary Dollner Talks Editing Comedies

    From “I’m Alan Partridge”, “The Thick of It” and “Veep”, to Ricky Gervais’ “David Brent: Life on the Road”, editor Gary Dollner has worked on some of the most acclaimed comedies of the age.

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  • Making The Cut: Nathan Nugent Talks Avid Editing and the Challenge of Cutting “Room”

    Nathan Nugent, picture editor of “Room”, recalls that Avid Media Composer proved to be advantageous during both the 10 weeks of filming and the subsequent post-production period.

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  • Making the Cut: Sim Evans-Jones Talks Editing Shrek With Media Composer

    Sim Evans-Jones, ACE, commenced his higher-level training with a Communications Degree that exposed him to a variety of film-related practical disciplines, but as he recalls it was “the editing that clicked with me”.

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  • Making the Cut: Axel Geddes Talks the Intuitive Nature of the Avid Platform

    Film editor Axel Geddes has been a mainstay of the animation world since he began working at Pixar in 2001. Since then he has worked on many of the company’s milestone productions, including recent global hit Finding Dory.

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  • Making The Cut: Úna Ní Dhonghaíle Talks Creative Documentaries, Animation and TV Drama Editing

    With recent credits including “The Missing”, “The Crown” and “Ripper Street”, Úna Ní Dhonghaíle is one of the pre-eminent TV drama editors of the age. But she is also active in documentary and animation, and says that in particular her earlier work on “creative documentaries” helped to shape her subsequent…

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