- By Adam Kranitz on May 23, 2014Read more
With a whole new crop of major motion pictures upon us, I thought I’d recap some of my favorite interviews with the creative editors, sound designers, and post production professionals from blockbusters of summer past.
Music: We’re Getting Bigger Sound Quality in Smaller Venues on Tour with Philip H. Anselmo and The IllegalsBy Michael Thompson on May 20, 2014Read more
Although space in the trailer is going to be an issue, I didn’t want to compromise on the sound quality of the live show and really pushed to carry our own FOH console.
- By Craig Wilson on May 19, 2014Read more
At NAB 2014 Avid proposed ways to address this issue, and more, as part of the wider Avid Everywhere strategy. Here’s how they work together in a newsroom.
- By Eddie Caipo on May 16, 2014Read more
I knew this would require lots of preparation as well as attention to detail and immediately prepared to request my console of choice. Lucky for me, it’s what they were previously using and made for a much easier transition into the gig.
- By Adam Kranitz on May 15, 2014Read more
PostChat founders Jesse Averna and Tej Babra met up with leading media pros at NAB 2014 to ask a question. What inspires you? See their response in this video.
- By Andrew Wild on May 13, 2014Read more
Philip Rothman of NYC Music Services presented a comparison between Sibelius and Finale music notation applications. It may surprise you who comes out the winner.
- By Wim Van den Broeck on May 12, 2014Read more
With 115 bug fixes, it is definitely worth updating your current Media Composer 7 to this latest release. I will highlight some of the most important “changes” that come with 7.0.4.
- By Slau Halatyn on May 9, 2014Read more
With each accessibility improvement, Avid is handing us blind Pro Tools users the tools of our trade which has a direct impact on our livelihood and truly makes all the difference in the world.