Feature Films

  • Making The Cut: Tony Cranstoun, ACE — The Art Remains the Same

    Tony Cranstoun, ACE recalls the transition from film editing to digital, and the impact that nonlinear technology had on the…

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  • A New World of Cultural Exchange

    Never before has it been more important for a new generation of Arab storytellers to embrace digital media as a…

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  • Making The Cut: Caroline Bleakley — Trust Your Instincts

    Caroline Bleakley edits television drama — trusting her instincts to taking time to review edit decisions.

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  • The A-List — Rachel Schreibman, Assistant Editor on “The Jungle Book”

    We asked assistant editor Rachel Schreibman (The Jungle Book) why young editors should download and use Media Composer | First.…

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  • Making The Cut: Gordon Mason, ACE — Work, Work, Work

    Editor Gordon Mason, ACE discusses documentary editing work on projects such as Panorama and Who Do You Think You Are?…

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  • The A-List — Nancy Forner, ACE, Associate Professor of Cinema Practice at USC

    Nancy Forner, ACE, Associate Professor of Cinema Practice at USC shares advice for young, up and coming editors. Download your…

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  • Making The Cut: Jake Roberts, ACE — The Joy of Discovery

    Jake Roberts, ACE discusses his longtime use of Avid editing tools and how he still finds new functions that help…

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  • The A-List — Kevin Tent, ACE, Editor of “Sideways”, “The Descendants”

    Editor Kevin Tent, ACE, points out why Avid Media Composer is the professional choice in Hollywood. Download your FREE copy…

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  • Making The Cut: Chris King, ACE — The Power Of a Simple Cut

    We talked with editor Chris King, ACE about the fluid nature of documentary narratives and the importance of finding a…

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  • The A-List — Kabir Akhtar, ACE, Editor of “Crazy Ex-Girlfriend”

    Why is Avid the professional choice? We asked Kabir Akhtar, ACE, editor of “Crazy Ex-Girlfriend”. Download your FREE copy of…

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