Feature Films

  • Shaping Creative Ideas on the Timeline — Gustavo Giani Cuts “Trust Me” with Avid Media Composer

    From drama and romance to thriller. Editor Gustavo Giani cuts his way through different narrative styles without losing track, thanks…

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  • NAB 2017: Avid Main Stage Guest Speaker Presentations

    We’ve scheduled a full lineup of guest speakers, including some of the industry’s most talented editors and engineers. See what’s…

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  • IAVA: Celebrating Hollywood’s Invisible Art

    Editors, assistants, students and film enthusiasts lined up to attend the “Invisible Art, Visible Artists” panel featuring the 2017 Oscar…

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  • Film Editors Go for Gold at the 89th Academy Awards®

    TV and film editor Steve Hullfish interviewed this year’s Academy Award nominated film editors, who all used Media Composer to…

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  • More Bodies, Fewer Cuts — Editing John Wick Chapter 2

    John Wick raised the bar for action movies across the board. Editor Evan Schiff explores the style and execution of…

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  • Avid Celebrates the Art of Storytelling at the 2017 ACE Eddie Awards

    Avid was honored to sponsor the 2017 ACE Eddie Awards, where all of this year’s winners used Avid Media Composer…

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  • Avid Pro Tools Brings the Sound of “Kingsglaive: Final Fantasy XV” to the Big Screen

    With the help of the Avid MediaCentral Platform, sound re-recording mixers bring the realism of Kingsglaive: Final Fantasy XV to…

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  • Mixing the Sound of “Kingsglaive: Final Fantasy XV” in Avid Pro Tools

    Read how foley, music recording, pre-dubbing and sound effects for “Kingsglaive: Final Fantasy XV” were all mixed on multiple Pro…

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  • Avid Helps Oscar-Winning Sound Team Bring “The Legend of Tarzan” To Life

    Academy Award-winning supervising sound editor Glenn Freemantle and sound designer Niv Adiri led a highly acclaimed team to create the…

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  • Gareth Cousins Scores a Hit with Pro Tools | HDX for “Suicide Squad” Soundtrack

    Score mixer, producer and recording engineer, Gareth Cousins explains why he relies on Pro Tools to tackle big film score…

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