Media Composer

  • Media Composer 8.2 Keeps You Focused on Creative Editorial with Background Rendering

    Today, Avid released the latest update to Media Composer | Software introducing Background Rendering. This new feature will increase your…

    by
  • Inside 'The Expendables 3' Editing Room with Sean Albertson, ACE and Paul Harb

    Inside ‘The Expendables 3’ Editing Room with Sean Albertson, ACE and Paul Harb

    When it comes to top Hollywood film projects, Sean Albertson, ACE, and Paul Harb have seen a ton of explosive…

    by
  • 'Service Please' courtesy of James Roddy, DGA

    Uncorking Creative Editorial with James Roddy, DGA

    As I watch really cool examples of independent films in progress fly through my Twitter feed, I thought it would…

    by
  • IBC 2014: Media Mogul Robert Rodriguez Has Advice for Young Filmmakers at the IBC Show

    IBC 2014: Media Mogul Robert Rodriguez Has Advice for Young Filmmakers at the IBC Show

    In our exclusive live interview at IBC 2014, the acclaimed filmmaker joined Avid’s Matt Feury in conversation to discuss his…

    by
  • IBC 2014: Native 4K Editing with Media Composer Announced

    Native 4K Editing with Media Composer Announced

    Now, by editing 2K/4K/UHD media natively, video professionals can reduce transcoding tasks, offline/online workflows, and spend more time on creative…

    by
  • Filmmaking: How to Use 120 fps iPhone 5s Footage in Media Composer | Software

    How to Use 120 fps iPhone 5s Footage in Media Composer | Software

    In this video tutorial, I demonstrate how to use 120 fps footage shot on the iPhone 5s in Media Composer…

    by
  • Filmmaking: How to Create Custom Scene Transitions with the Paint Effect in Media Composer | Software

    How to Create Custom Scene Transitions with the Paint Effect in Media Composer

    I’ll show you how to make a flash transition, a blur transition, and a combo with both, using the built-in…

    by
  • Filmmaking: How To Cut Scenes for both IMAX and 35mm Distribution with 'The Hunger Games: Catching Fire' Editor Alan E. Bell, ACE

    How To Cut Scenes for both IMAX and 35mm Distribution with ‘The Hunger Games: Catching Fire’ Editor Alan E. Bell, ACE

    Director Francis Lawrence’s decision to shoot select scenes in IMAX added complexity to the final stage of the editing process.…

    by
  • Perfect Your Mix in Media Composer | Software with the Power of AAX Audio Plug-ins

    Perfect Your Mix in Media Composer | Software with the Power of AAX Audio Plug-ins

    One of my favorite new additions is support for AAX. Working with audio in Media Composer using the same tools…

    by
  • Avid Media Composer Software 8.1 What's New

    Media Composer 8.1 Updates Professional Features for Creative Editorial

    Avid just released the first update of Media Composer | Software. Here are some of the latest new features to…

    by