Video Post Production

  • Marvel's The Avengers

    Behind the Scenes: Marvel’s The Avengers

    Meet The Avengers team—editor Jeff Ford, assistant editors Robin Buday and Matt Schmidt—and hear how they helped create one of…

  • Making The Cut: Tim Porter, ACE, Talks Working With Avid on “Game of Thrones”

    For someone who admits that he never wanted to become an editor, Tim Porter, ACE, has amassed a pretty formidable…

  • May Giveaway: 5 Free 360/VR plug-ins for Media Composer!

    The Boris FX Continuum VR Unit is now available free through May 31, 2018. Get five 360° enabled Avid Media…

  • Cutting ‘Nothing to Lose’ — Brazil’s Most Ambitious Feature Film

    Francisco Antunes was asked to cut one of Brazil’s most expansive feature films ever made. The next thing he knows,…

  • Meet the New Media Composer Family

    Whether you’re just starting out or part of a team editing the next blockbuster, the new Media Composer family has…

  • What’s New in Media Composer 2018.4 — Now Available

    Eliminate time-consuming editing tasks with our brand new update to Avid Media Composer. Here’s what’s new in version 2018.4 —…

  • Meeting the Needs of Modern-day Post Production with MediaCentral | Editorial Management

    At NAB 2018, Avid unveils the latest version of MediaCentral | Editorial Management, a streamlined, end-to-end workflow solution for modern-day…

  • New Horizons for Fast Access to Archived Media — Introducing Avid NEXIS | E5 NL at NAB 2018

    Intelligent storage for real-time media production, Avid NEXIS is adding a new nearline storage solution to accelerate your production workflow.

  • Making the Cut: Lillian Benson, ACE—Drawing on the Intuitive Self

    Lillian Benson, ACE, discusses how good storytelling, intuitive editing tools like Media Composer, and a strong sense of self can…

  • Avid Connect — The Ultimate Avid User’s Group

    “Connect is like a mini-NAB just for Avid users.” Craft editor Chris Bové explains what happens at Avid Connect 2018,…

    by Chris Bové