Video Post Production

  • The Expendables 3

    The Rough Cut: Sean Albertson and Paul Harb

    When it comes to editing top Hollywood film projects using Media Composer, Sean Albertson, ACE and Paul Harb have seen…

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  • Billy Goldenberg

    Filmmaking: Don’t Wait. Just Edit.

    If things had gone differently, William Goldenberg (known as Billy) would have been treating patients in 2012 instead of picking…

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  • Filmmaking: Why the Pro Multiband Dynamics Plug-in is a Definite Must-Have For My Audio Post Production

    Why the Pro Multiband Dynamics Plug-in is a Definite Must-Have For My Audio Post Production

    I’ve been using the Avid Pro Series since they were introduced and have been very impressed with how they have…

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  • Media Composer 8.2 Keeps You Focused on Creative Editorial with Background Rendering

    Today, Avid released the latest update to Media Composer | Software introducing Background Rendering. This new feature will increase your…

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  • Filmmaking: Why Do We Need Color Correction

    Why Do We Need Color Correction?

    We are often asked what a Colorist does in the film & television industry. In this short video we’ve given…

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  • Inside 'The Expendables 3' Editing Room with Sean Albertson, ACE and Paul Harb

    Inside ‘The Expendables 3’ Editing Room with Sean Albertson, ACE and Paul Harb

    When it comes to top Hollywood film projects, Sean Albertson, ACE, and Paul Harb have seen a ton of explosive…

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  • IBC 2014: Movie Magic of the Bad Robot Editorial Team Revealed Live on Stage at the IBC Show

    IBC 2014: Movie Magic of the Bad Robot Editorial Team Revealed Live on Stage at the IBC Show

    Editors Maryann Brandon, ACE and Mary Jo Markey, ACE took a quick break from editing Star Wars: Episode VII. They…

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  • IBC 2014: Native 4K Editing with Media Composer Announced

    Native 4K Editing with Media Composer Announced

    Now, by editing 2K/4K/UHD media natively, video professionals can reduce transcoding tasks, offline/online workflows, and spend more time on creative…

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  • Filmmaking: With A Special Wish the Editing and VFX Community Unite to Make a Teen’s Dream Come True

    Filmmaking: With A Special Wish the Editing and VFX Community Unite to Make a Teen’s Dream Come True

    I had the good fortune to help plan activities for a special effects and film editing buff who’s undergoing cancer…

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  • Filmmaking: How To Cut Scenes for both IMAX and 35mm Distribution with 'The Hunger Games: Catching Fire' Editor Alan E. Bell, ACE

    How To Cut Scenes for both IMAX and 35mm Distribution with ‘The Hunger Games: Catching Fire’ Editor Alan E. Bell, ACE

    Director Francis Lawrence’s decision to shoot select scenes in IMAX added complexity to the final stage of the editing process.…

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