The Rough Cut: Dan Lebental
Welcome to a special holiday edition of The Rough Cut. In this episode we catch up with editor Dan Lebental. Dan’s built a long-standing working relationship with director Jon Favreau, In 2003, they collaborated on a little holiday classic staring Will Ferrell. Enjoy this look back at Elf.
The Rough Cut: Sean Albertson and Paul Harb
When it comes to editing top Hollywood film projects using Media Composer, Sean Albertson, ACE and Paul Harb have seen a ton of explosive action. In this raw interview, get an inside look at their collaboration on the new Sylvester Stallone blockbuster The Expendables 3.
Filmmaking: Don’t Wait. Just Edit.
If things had gone differently, William Goldenberg (known as Billy) would have been treating patients in 2012 instead of picking up the Academy Award for Film Editing for “Argo”. See what transformed Billy’s career learn what it takes to be a successful film editor.
Inside ‘The Expendables 3’ Editing Room with Sean Albertson, ACE and Paul Harb
When it comes to top Hollywood film projects, Sean Albertson, ACE, and Paul Harb have seen a ton of explosive action. Get an inside look at their collaboration in the editing suite on the latest Sylvester Stallone action film, The Expendables 3.
IBC 2014: Media Mogul Robert Rodriguez Has Advice for Young Filmmakers at the IBC Show
In our exclusive live interview at IBC 2014, the acclaimed filmmaker joined Avid’s Matt Feury in conversation to discuss his career and the role Avid creative tools have played in his evolution into becoming one of the most dynamic figures working in media today.
How To Cut Scenes for both IMAX and 35mm Distribution with ‘The Hunger Games: Catching Fire’ Editor Alan E. Bell, ACE
Director Francis Lawrence’s decision to shoot select scenes in IMAX added complexity to the final stage of the editing process. Learn how Bell and his team cut scenes for both IMAX and regular theaters.