The Rough Cut
The Rough Cut: Jeff Groth, Editor of Joker
Jeff Groth, editor of Joker, talks about working with director Todd Phillips, editing a character study and what he looks for in an assistant editor
by Matt Feury6The Rough Cut: Mark Sanger
Acclaimed Editor Mark Sanger, ACE worked closely with director Alfonso Cuarón to create an unforgettable sensory experience for viewers with the film, Gravity. Watch this unique interview to explore how Sanger used Media Composer tools to shape the story.
by Matt FeuryThe Rough Cut: Sean Albertson and Paul Harb
When it comes to editing top Hollywood film projects using Media Composer, Sean Albertson, ACE and Paul Harb have seen a ton of explosive action. In this raw interview, get an inside look at their collaboration on the new Sylvester Stallone blockbuster The Expendables 3.
by Matt FeuryThe Rough Cut: Bad Robot
Visit the creative team behind J.J. Abrams’s production company. Learn their approach to picture editorial, visual effects, sound mixing and editing, and more!
by Matt FeuryThe Rough Cut: Greg Spence
Get an inside look at Game of Thrones visual effects process and how they blend great location scouting with digital imagery to make fantasy a reality.
by Matt FeuryThe Rough Cut: Morgan Spurlock
Documentary filmmaker Morgan Spurlock (Super-Size Me, The Greatest Movie Ever Sold) is proof that self-made success can be had.
by Matt FeuryThe Rough Cut: Eddie Hamilton
Eddie shares his passion for the art of editing and gives a behind-the-monitor look at the techniques he used on the films X-Men: First Class and Kick-Ass.
by Matt Feury
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