Timeline Tuesday

  • Dutch Editor Raymond Leijdekkers Cuts “Ugly Ducklings” to Beautiful Swans

    Dutch editor and producer Raymond Leijdekkers specializes in reality-TV. For his last project “Ugly Ducklings”, Avid Media Composer helped him more than ever cut through run and gun footage and multiple formats.

    by
  • ‘Ni Hao’ from the PGA TOUR — Edited with Avid Video Production Tools for International Delivery

    Avid post production and broadcast tools are key for PGA TOUR Entertainment to quickly deliver quality sports content to its clients all over the world.

    by
  • Step Inside the Cutting Room with Eddie Hamilton, ACE and Analyze the Timeline of “Kingsman: The Golden Circle”

    Editor Eddie Hamilton, ACE, shares his finished Avid Media Composer timelines of Kingsman: The Golden Circle. Dig in and analyze the timeline setup and his creative workflow for this fast-paced spy flick.

    by
  • Editing for Justice — Brad Phelan Cuts “Justice by Any Means”

    Editing the TV show “Justice By Any Means” connects Brad Phelan’s passion for storytelling to powerful stories that matter. That’s why he needs the best tool for the job—Avid Media Composer.

    by
  • More Bodies, Fewer Cuts — Editing John Wick Chapter 2

    John Wick raised the bar for action movies across the board. Editor Evan Schiff explores the style and execution of its sequel, John Wick Chapter 2.

    by
  • Avid Tools Give Trollhunters’ Editorial Team a Leg Up on Pushing the Limits in Animation

    For editor Graham Fisher, the process of editing Guillermo del Toro’s “Trollhunters” has been pure creative bliss. The one rock-solid constant in the middle of this big production has been Avid Media Composer.

    by
  • Super 16, a Beautiful Dream, a First-Time Director, and a Low Take Count

    Avid Media Composer’s ability to do it all “in the box” saved editor Bryan Colvin an enormous amount of time, and kept him focused on telling the story of “Crossing”.

    by
  • Cutting it Up Down Under — Alex Fitzwater Edits Outback Adventure Series “Unleashed”

    With “Crocodile Dundee” meets “Ice Road Truckers” as a starting reference point, Alex Fitzwater explains how he came to edit the first season of outback adventure series “Unleashed”.

    by
  • Cutting a Long Story Short — Editing Movie Trailers

    Ever wondered who cuts those powerful movie trailers? Follow along with Paul Cartlich and see how he edits the trailer for the film “The Brand New Testament” by Jaco Van Dormael.

    by
  • Editing Spanish Feature Film ‘Gernika’: The Story Beyond the Bombs

    The story of “Gernika” offered Spanish editor José Manuel Jiménez the perfect opportunity to combine structure, narrative, rhythm and acting in one feature film.

    by
  • Josh Earl, ACE, Cuts Down 30,000 Hours of Footage to 18 Episodes for Discovery Channel’s “Deadliest Catch”

    While Josh Earl, ACE, dabbled in many genres and techniques — from trailers to features, scripted to unscripted — editing Discovery Channel’s “Deadliest Catch” is one of the most challenging projects to date.

    by
  • Scott Carnegie Writes, Directs, Produces and Edits Ultramarathon “Brain Freeze — The Great Slurpee Run”

    What do you get when you combine an ultramarathon with Manitoba, the Slurpee capital of the world? Director, producer, writer, and co-editor Scott Carnagie tells the story of “Brain Freeze — The Great Slurpee Run”.

    by
Load More

0 Comments

Leave a reply