Josh Earl, ACE, Cuts Down 30,000 Hours of Footage to 18 Episodes for Discovery Channel’s “Deadliest Catch”
While Josh Earl, ACE, dabbled in many genres and techniques — from trailers to features, scripted to unscripted — editing Discovery Channel’s “Deadliest Catch” is one of the most challenging projects to date.
Scott Carnegie Writes, Directs, Produces and Edits Ultramarathon “Brain Freeze — The Great Slurpee Run”
What do you get when you combine an ultramarathon with Manitoba, the Slurpee capital of the world? Director, producer, writer, and co-editor Scott Carnagie tells the story of “Brain Freeze — The Great Slurpee Run”.
From Flatbed to Media Composer — Veteran Editor Ron Sussman Looks Back at 30 Years of Creative Tools
As Ron Sussman finishes the edit of Lisa Eastman’s documentary “Living Off The Manhole”, he takes us back to 1989. During that year’s NAB Show he saw the first demo of the Avid/1 and was instantly hooked.
Soundscaping the Trailer for Kickstarter Project ‘Magpie, the Untold Stories of World War II’
Thanks to the trailer video on their Kickstarter page, the team behind the movie ‘Magpie’ raised enough money to start filming. Here’s how sound designer Andrew McAlinden soundscaped the teaser film in Pro Tools.
Cutting an Escape, a Heist, and a Two-Act Action Sequence for the Season Finale of Marvel’s ‘Agent Carter’
By cutting drama, action, suspense, and comedy for the second season of Marvel’s TV show ‘Agent Carter’, editor Mark Hartzell gets a chance to flex all his different editorial storytelling muscles.