Tutorial Thursday

Tutorial Thursday

  • How to Perform Dialogue Clean-up with AAX Effects in Avid Media Composer

    On ‘Star Trek Into Darkness’, assistant editor Evan Schiff had the opportunity to tackle new challenges in temp sound editing. Here’s a quick tip on how he easily cleaned up dialogue.

    by
  • How to Contribute to the Creative Post Production Process from Anywhere in the World

    How to Contribute to the Creative Post Production Process from Anywhere in the World

    Access media and work on projects from practically any device, everywhere, using MediaCentral | UX, a cloud-based, web front-end to the Avid MediaCentral Platform. Whether you connect from a desktop computer, laptop, or mobile device, you get a unified experience (UX) to work whenever, wherever, and with whatever you want.

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  • How to Produce Full, Complex, and Beautiful Acoustic Guitar Tones with Pro Tools | Eleven Rack

    Find out how to use a microphone to route your acoustic guitar through the Pro Tools | Eleven Rack effects, and record the dry tone and effected tone at the same time in Pro Tools.

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  • Setup User Profile Settings to Customize the Interface and Operation of Avid Media Composer

    In this week’s tutorial, Pat Horridge gives us a quick overview on setting your user profile for Media Composer, which you can also import into other versions of the editing application.

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  • How to Create Custom Transition Effects in Avid Media Composer

    See how editor Benjamin Hershleder takes us through making custom a transition effect, adding a sound effect, and saving it all for quick and easy use later in the same project.

    by Benjamin Hershleder
  • How to Recall Your AAX Audio Plug-in Presets from Pro Tools in Avid Media Composer

    Similar to Pro Tools, it’s now possible to load your custom AAX plug-ins presets in Avid Media Composer 8.4. Brian Benoni shows us the details.

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  • Baselight for Avid 4.4

    Baselight for Avid Now Updated to Version 4.4. Here’s What’s New.

    FilmLight has just released a brand new version (4.4) of Baselight for Avid with lots of new features. Take a look at their latest video tutorial and check out all of the new functionality.

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  • How to Roundtrip a Project Between Avid Media Composer and DaVinci Resolve

    Find out which three pieces of metadata from each clip are important for a successful roundtrip from Blackmagic DaVinci Resolve to Avid Media Composer.

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  • How and Why to Apply Effects on Filler in Avid Media Composer

    Many people don’t realize the power of Media Composer’s ability to have effects on ‘filler’. It acts as an adjustment layer on top of your video tracks. With a little experimentation it can deliver some great results.

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  • How to Roundtrip a Sequence from Autodesk Smoke to Avid Media Composer

    In this video tutorial, we run through the workflow of publishing an AAF sequence from Autodesk Smoke with media and FX, which is then conformed in Avid Media Composer.

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  • How to Use the Fluid Morph Effect in Avid Media Composer to Fix Jump Cuts

    Jump cuts are ugly and call attention to themselves. Luckily Avid Media Composer has a powerful solution to this problem: the Fluid Morph effect. Find out how to use it in this tutorial.

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  • Create a Media Composer Project Structure That Will Last For Years

    Here’s one of the best systems to set up your file and folder structure for Avid Media Composer projects. It is a combination of over 100 editor’s personal practices. Check it out.

    by Chris Bové
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