Video Editing

  • Making the Cut: Edie Ichioka, ACE – Explore the Possibilities

    Edie Ichioka, ACE, discusses with Avid how an important part of the editing process for animated films takes place before scenes are rendered.

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  • The Race to Sundance — Editors Catherine Haight, ACE and Gabriel Fleming

    Editors Catherine Haight, ACE and Gabriel Fleming chat with Avid’s Matt Feury about the road to the Sundance Film Festival.

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  • Watch the LIVE Panel of This Year’s Oscar®-Nominated Film Editors

    LIVE! Watch the 2018 Oscar-nominated film editors in ACE’s “Invisible Art, Visible Artists” panel on our Facebook page. Join us on Saturday, March 3, at 10:30 AM PST

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  • Filmmaking Is All About Teamwork — Andrei Pavlov Shares His Timeline and Experience

    For editor Andrei Pavlov, the power of filmmaking is all about teamwork. Read how Avid Media Composer helps him strengthen the relationship with other editorial team members.

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  • Making The Cut: Norman Hollyn—Telling Great Stories from the Editing Room

    Norman Hollyn shares with Avid his views on the creative film editing process, his work on the 2017 film Shot, and the value of collaboration.

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  • Learn How to Quickly Duplicate Multiple Clips in Your Media Composer Timeline

    Brian Benoni of BenoniStudio shows you how to speed up your workflow in Avid Media Composer by using Copy and Paste to quickly reuse clips across your timeline.

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  • Making the Cut: Paul Rubell, ACE—Finding the Drama Between Action Beats

    Paul Rubell, ACE, discusses how Media Composer liberates his editing process and allows him to create and save multiple versions.

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  • Analyze the Full Media Composer Timeline of ‘Baby Driver’

    Paul Machliss, ACE, gave us his full, finished Media Composer timeline of “Baby Driver”. Dig in and analyze the timeline set-up and his creative workflow for this fast-paced blockbuster.

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  • Avid at HPA Tech Retreat 2018: Navigating Media Production Workflows

    Avid is excited to return to the HPA Tech Retreat to showcase its latest innovations in post production, cloud, and storage, together with Microsoft and Spectra.

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  • Making the Cut: Robert Leighton — A Rewarding Long-term Collaboration

    Robert Leighton talks about his remarkable long-term relationship with director Rob Reiner and how technology has changed the art of editing.

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  • Making the Cut: Chris McCaleb—Cracking the Code

    Editor Chris McCaleb discusses how having an open mind and working on Media Composer are critical to solving scenes that aren’t working.

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  • Making the Cut: Lynne Willingham, ACE—Crafting the Editor’s Vision

    Lynne Willingham, ACE, editor of Breaking Bad and True Blood, discusses the benefits of Media Composer on projects involving creative collaboration.

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