Edie Ichioka, ACE, discusses with Avid how an important part of the editing process for animated films takes place before scenes are rendered.
Editors Catherine Haight, ACE and Gabriel Fleming chat with Avid’s Matt Feury about the road to the Sundance Film Festival.
LIVE! Watch the 2018 Oscar-nominated film editors in ACE’s “Invisible Art, Visible Artists” panel on our Facebook page. Join us on Saturday, March 3, at 10:30 AM PST
For editor Andrei Pavlov, the power of filmmaking is all about teamwork. Read how Avid Media Composer helps him strengthen the relationship with other editorial team members.
Norman Hollyn shares with Avid his views on the creative film editing process, his work on the 2017 film Shot, and the value of collaboration.
Brian Benoni of BenoniStudio shows you how to speed up your workflow in Avid Media Composer by using Copy and Paste to quickly reuse clips across your timeline.
Paul Rubell, ACE, discusses how Media Composer liberates his editing process and allows him to create and save multiple versions.
Paul Machliss, ACE, gave us his full, finished Media Composer timeline of “Baby Driver”. Dig in and analyze the timeline set-up and his creative workflow for this fast-paced blockbuster.
Avid is excited to return to the HPA Tech Retreat to showcase its latest innovations in post production, cloud, and storage, together with Microsoft and Spectra.
Robert Leighton talks about his remarkable long-term relationship with director Rob Reiner and how technology has changed the art of editing.
Editor Chris McCaleb discusses how having an open mind and working on Media Composer are critical to solving scenes that aren’t working.
Lynne Willingham, ACE, editor of Breaking Bad and True Blood, discusses the benefits of Media Composer on projects involving creative collaboration.