It’s all about timing – Editor Shahnaz Dulaimy discusses how rhythm and pace matter to the storytelling aspect of film editing.
Media Composer 2018.6 brings a ton of new enhancements and improvements that will put more flow into your workflow. Avid Blogs lists all new features and enhancements.
Who needs plug-ins when you have the paint effect? Create a glitch effect to transition from one shot to the next within Avid Media Composer.
CEV installs Avid Media Campus at the CÉGEP de Jonquière, giving the Saguenay Technical College better creative and collaborative work tools.
At Avid’s Community Event in Berlin on July 11th, you’ll hear stories from filmmakers who have produced some of the biggest blockbusters with the help of Avid. Register to join!
Avid launches MediaCentral | Editorial Management with HyperBin architecture — taking asset management and video post production collaboration to new heights.
Mocha Pro for Avid adds professional planar motion tracking, masking, stabilization and object removal tools for visual effects, editing and finishing.
Learn why Avid Media Composer should be your video editing platform for reasons that go beyond its technical capabilities and rock-solid stability.
At this year’s BIT Audiovisual, Avid was presented with two prestigious post production awards; best graphics creation award and best editing software award.
Avid sponsored nationwide student film festivals to support the next generation of filmmakers, awarding free Media Composer and Pro Tools software.
Phil Bowman cuts documentary program See No Evil on Avid Media Composer, relying on features like asymmetrical trimming for perfecting dialogue, music, and timing.
Meet The Avengers team—editor Jeff Ford, assistant editors Robin Buday and Matt Schmidt—and hear how they helped create one of the most successful films of all time with the help of Media Composer, Pro Tools, and Avid shared storage.
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