At NAB 2018, Avid unveils the latest version of MediaCentral | Editorial Management, a streamlined, end-to-end workflow solution for modern-day post production.
Intelligent storage for real-time media production, Avid NEXIS is adding a new nearline storage solution to accelerate your production workflow.
Lillian Benson, ACE, discusses how good storytelling, intuitive editing tools like Media Composer, and a strong sense of self can benefit editors.
Accelerate your entire workflow with Avid MediaCentral’s advanced search capabilities, leveraging powerful global search, filter, and indexing tools.
Virginia Katz, ACE, finds great creative freedom over picture and sound with Avid when editing movies like Beauty and the Beast and Dreamgirls.
In this quick video tutorial we’ll show you two different ways to create a blur transition between two shots in Avid Media Composer.
Avid Consulting Lead and Delivery Manager Claire Humphries invites some of her team to comment on their view of International Women’s Day; Women Working in the Broadcast Tech Domain
Edie Ichioka, ACE, discusses with Avid how an important part of the editing process for animated films takes place before scenes are rendered.
For editor Andrei Pavlov, the power of filmmaking is all about teamwork. Read how Avid Media Composer helps him strengthen the relationship with other editorial team members.
Norman Hollyn shares with Avid his views on the creative film editing process, his work on the 2017 film Shot, and the value of collaboration.
Brian Benoni of BenoniStudio shows you how to speed up your workflow in Avid Media Composer by using Copy and Paste to quickly reuse clips across your timeline.
Paul Rubell, ACE, discusses how Media Composer liberates his editing process and allows him to create and save multiple versions.
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