Filmmaking: Don’t Wait. Just Edit.
If things had gone differently, William Goldenberg (known as Billy) would have been treating patients in 2012 instead of picking up the Academy Award for Film Editing for “Argo”. See what transformed Billy’s career learn what it takes to be a successful film editor.
Why the Pro Multiband Dynamics Plug-in is a Definite Must-Have For My Audio Post Production
I’ve been using the Avid Pro Series since they were introduced and have been very impressed with how they have performed. So when the new Pro Series plug-ins were introduced, I knew they’d be worth checking out. After using them, here’s I like.
Media Composer 8.2 Keeps You Focused on Creative Editorial with Background Rendering
Today, Avid released the latest update to Media Composer | Software introducing Background Rendering. This new feature will increase your productivity, let you spend more time on creative storytelling, and deliver your projects on time, beating the deadlines. See what else is new…
AES Los Angeles 2014: Introducing Pro Tools | S3 Compact Control Surface
Based on the award-winning Pro Tools | S6, Pro Tools | S3 is a compact, EUCON-enabled, ergonomic desktop control surface that offers a streamlined yet versatile mixing solution for the modern sound engineer. Come see it in action at AES.
Pro Tools Sound Effects Library Searching Made Faster and More Efficient with New Workspace Browser
One of the new features in Pro Tools 11 is a completely rebuilt workspace browser that’s faster and more efficient than ever. If you’re looking for a quick way to search your sound effects collection, there’s no easier way than with the workspace browser—here’s how.
Inside ‘The Expendables 3’ Editing Room with Sean Albertson, ACE and Paul Harb
When it comes to top Hollywood film projects, Sean Albertson, ACE, and Paul Harb have seen a ton of explosive action. Get an inside look at their collaboration in the editing suite on the latest Sylvester Stallone action film, The Expendables 3.
Uncorking Creative Editorial with James Roddy, DGA
As I watch really cool examples of independent films in progress fly through my Twitter feed, I thought it would be great to connect with the filmmaker to learn more than what’s contained in 140 characters. Thus, a new Avid Blogs series was born—#TimelineTuesday.
IBC 2014: Media Mogul Robert Rodriguez Has Advice for Young Filmmakers at the IBC Show
In our exclusive live interview at IBC 2014, the acclaimed filmmaker joined Avid’s Matt Feury in conversation to discuss his career and the role Avid creative tools have played in his evolution into becoming one of the most dynamic figures working in media today.
IBC 2014: Movie Magic of the Bad Robot Editorial Team Revealed Live on Stage at the IBC Show
Editors Maryann Brandon, ACE and Mary Jo Markey, ACE took a quick break from editing Star Wars: Episode VII. They were joined by their Assistant Editors, Julian Smirke and Matt Evans. Matt Feury from Avid tried hard to get a scoop on the upcoming Star Wars movie. Check out the…
Native 4K Editing with Media Composer Announced
Now, by editing 2K/4K/UHD media natively, video professionals can reduce transcoding tasks, offline/online workflows, and spend more time on creative storytelling, and deliver projects on time and on budget. But how will all this be implemented in Media Composer? Here are some details.