Video Editing

  • Filmmaking Advice from the Editors Behind the Summer Blockbuster

    Advice from the Editors Behind the Summer Blockbuster

    With a whole new crop of major motion pictures upon us, I thought I’d recap some of my favorite interviews with the creative editors, sound designers, and post production professionals from blockbusters of summer past.

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  • What's New in Media Composer | Software

    Find Out What’s New in Media Composer 8.0

    The latest version of Media Composer announced at NAB 2014, with the new subscription offerings, is now available. Find out what makes this release the professional’s choice for creative editorial.

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  • NAB 2014: Make Short Work of Your Motion Graphics Workflow by Drawing Inside the (Time)line with Boris FX BCC 9

    NAB 2014: Make Short Work of Your Motion Graphics Workflow by Drawing Inside the (Time)line with Boris FX BCC 9

    Nine new effects, twenty-four new transitions AND the new FX Browser makes BCC 9 a must have update for any Media Composer editor looking to speed up their effects workflow. See what’s new.

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  • NAB 2014: Understanding the GoPro Workflow

    NAB 2014: Easy GoPro Lens Correction with Avid Media Composer and Boris FX

    You’re going to start seeing more and more GoPro footage in your timelines, and with that comes some inherent problems. See how to fix them—fast.

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  • NAB 2014: Give Your Media Composer Projects Professional Polish with QuickTime-Based Effects Elements

    Get the looks you want and the workflows you need to help you succeed with Media Composer | Software. Plus, expand your editing capabilities with practical effects from Rampant Design Tools.

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  • 4K Workflows with Avid ISIS: Media Composer and DaVinci Resolve

    4K Workflows with Avid ISIS: Media Composer and DaVinci Resolve

    ISIS shared storage systems now support 4K and Ultra HD, providing real-time, collaborative editorial workflows with many third-party applications including Blackmagic Design DaVinci Resolve.

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  • Behind-the-Scenes with the 'Gravity' Sound Design Team

    Behind the Scenes with the ‘Gravity’ Sound Design Team

    Director Alfonso Cuarón wanted to leverage sound design to create an immersive experience for moviegoers—how did Avid help the sound designers realize his vision?

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  • Get Started Fast with Avid for Final Cut Pro 7 Editors

    Get Started Fast with Avid for Final Cut Pro Editors—Episode 5

    In our fifth Get Started Fast with Avid for Final Cut Pro tutorial, Kevin opens up the Audio Tools for a demonstration of sound mixing in the timeline.

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  • Get Started Fast with Avid for Final Cut Pro 7 Editors

    Get Started Fast with Avid for Final Cut Pro Editors—Episode 4

    In our fourth Get Started Fast with Avid for Final Cut Pro tutorial, I’ll show you how to transfer your knowledge of FCP effects and keyframes.

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  • Get Started Fast with Avid for Final Cut Pro 7 Editors

    Get Started Fast with Avid for Final Cut Pro Editors—Episode 3

    In our third Get Started Fast with Avid for Final Cut Pro 7 tutorials, I’ll show you how to gain peace of mind with reliable media management.

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  • Get Started Fast with Avid for Final Cut Pro 7 Editors

    Get Started Fast with Avid for Final Cut Pro Editors—Episode 2

    In the second of our Get Started Fast with Avid for Final Cut Pro tutorials, I’ll demonstrate how your previous workflows in FCP can easily be recreated in Media Composer.

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  • Get Started Fast with Avid for Final Cut Pro 7 Editors

    Get Started Fast with Avid for Final Cut Pro Editors—Episode 1

    In the first of our Get Started Fast with Avid for Final Cut Pro tutorials, I’ll take you through the basics of moving your project from FCP7 to Avid Media Composer with a focus on AMA.

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