Paul Machliss, ACE, gave us his full, finished Media Composer timeline of “Baby Driver”. Dig in and analyze the timeline set-up and his creative workflow for this fast-paced blockbuster.
Robert Leighton talks about his remarkable long-term relationship with director Rob Reiner and how technology has changed the art of editing.
Editor Chris McCaleb discusses how having an open mind and working on Media Composer are critical to solving scenes that aren’t working.
Lynne Willingham, ACE, editor of Breaking Bad and True Blood, discusses the benefits of Media Composer on projects involving creative collaboration.
Terilyn A. Shropshire, ACE, reveals to Avid how experience leads to mastery that then benefits her on each successive editing project.
The Extend Tool is an alternative option to the widely popular Trim Tool found in Avid Media Composer. Knowing when and how to use it will greatly increase your editing speed.
Media Composer is moving from the existing versioning sequence to a new date-based versioning convention starting in January. Here’s what’s new in Media Composer 2018.1.
Charity Kuria talks about her journey as an editor and her editing experience working on the feature film Supa Modo, and how Media Composer helped.
Richard Cox talks about how he learns as much from teaching editing as his students do, and how an edit can trigger emotions.
At the Savannah Film Festival, Avid sponsored master classes with editor Colby Parker, Jr. and mixer Jonathan Wales for SCAD students.
Stephen Ellis, ACE addresses the fears of young editors who don’t want to get it wrong… but shows that mistakes are part of the process.
Thanks to Avid NEXIS, high school and college students gain valuable technical literacy and media management skills to enter the workforce prepared.
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