RÚV, Iceland’s biggest public broadcaster, turns to Avid to increase the production value of its live sports coverage and increase newsroom efficiency.
Tony Cranstoun, ACE recalls the transition from film editing to digital, and the impact that nonlinear technology had on the industry.
Avid’s Matt Feury looks back at some of the great improvements that shaped Media Composer in 2017.
Never before has it been more important for a new generation of Arab storytellers to embrace digital media as a tool for two-way cultural exchange.
Avid launches the first annual Young Storytellers competition in partnership with the Cinematic Arts Program at Claremont High School in Claremont, California.
Caroline Bleakley edits television drama — trusting her instincts to taking time to review edit decisions.
We asked assistant editor Rachel Schreibman (The Jungle Book) why young editors should download and use Media Composer | First. Get your FREE copy today!
Editor Gordon Mason, ACE discusses documentary editing work on projects such as Panorama and Who Do You Think You Are? at the American Cinema Editors Editfest 2017.
Take a stroll through a day (and night) in the life of File-Based Post with Matthew Schneider, Director of technology at Technicolor, and the challenges he encounters while storytelling.
Nancy Forner, ACE, Associate Professor of Cinema Practice at USC shares advice for young, up and coming editors. Download your FREE copy of Media Composer | First today!
Jake Roberts, ACE discusses his longtime use of Avid editing tools and how he still finds new functions that help him tell a better story.
Ever wonder what a day in the life of Post Production on a Live Reality TV Show was like? Randy Magalski, Senior Editor at Sim gives you a closer look.