Video Editing

  • Find the Right Media Fast with Advanced Search Capabilities in Avid MediaCentral

    Accelerate your entire workflow with Avid MediaCentral’s advanced search capabilities, leveraging powerful global search, filter, and indexing tools.

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  • Making the Cut: Virginia Katz, ACE—Hooked on Editing with Avid

    Virginia Katz, ACE, finds great creative freedom over picture and sound with Avid when editing movies like Beauty and the Beast and Dreamgirls.

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  • Creating A Blur Transition in Avid Media Composer

    In this quick video tutorial we’ll show you two different ways to create a blur transition between two shots in Avid Media Composer.

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  • International Women’s Day — Handbags and Childcare vs 4K Codecs

    Avid Consulting Lead and Delivery Manager Claire Humphries invites some of her team to comment on their view of International Women’s Day; Women Working in the Broadcast Tech Domain

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  • Making the Cut: Edie Ichioka, ACE – Explore the Possibilities

    Edie Ichioka, ACE, discusses with Avid how an important part of the editing process for animated films takes place before scenes are rendered.

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  • Filmmaking Is All About Teamwork — Andrei Pavlov Shares His Timeline and Experience

    For editor Andrei Pavlov, the power of filmmaking is all about teamwork. Read how Avid Media Composer helps him strengthen the relationship with other editorial team members.

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  • Learn How to Quickly Duplicate Multiple Clips in Your Media Composer Timeline

    Brian Benoni of BenoniStudio shows you how to speed up your workflow in Avid Media Composer by using Copy and Paste to quickly reuse clips across your timeline.

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  • Making the Cut: Paul Rubell, ACE—Finding the Drama Between Action Beats

    Paul Rubell, ACE, discusses how Media Composer liberates his editing process and allows him to create and save multiple versions.

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  • Analyze the Full Media Composer Timeline of ‘Baby Driver’

    Paul Machliss, ACE, gave us his full, finished Media Composer timeline of “Baby Driver”. Dig in and analyze the timeline set-up and his creative workflow for this fast-paced blockbuster.

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  • Making the Cut: Robert Leighton — A Rewarding Long-term Collaboration

    Robert Leighton talks about his remarkable long-term relationship with director Rob Reiner and how technology has changed the art of editing.

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  • Making the Cut: Chris McCaleb—Cracking the Code

    Editor Chris McCaleb discusses how having an open mind and working on Media Composer are critical to solving scenes that aren’t working.

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  • Making the Cut: Lynne Willingham, ACE—Crafting the Editor’s Vision

    Lynne Willingham, ACE, editor of Breaking Bad and True Blood, discusses the benefits of Media Composer on projects involving creative collaboration.

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