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Virginia Katz, ACE, finds great creative freedom over picture and sound with Avid when editing movies like Beauty and the Beast and Dreamgirls.
In this quick video tutorial we’ll show you two different ways to create a blur transition between two shots in Avid Media Composer.
Avid Consulting Lead and Delivery Manager Claire Humphries invites some of her team to comment on their view of International Women’s Day; Women Working in the Broadcast Tech Domain
Edie Ichioka, ACE, discusses with Avid how an important part of the editing process for animated films takes place before scenes are rendered.
For editor Andrei Pavlov, the power of filmmaking is all about teamwork. Read how Avid Media Composer helps him strengthen the relationship with other editorial team members.
Brian Benoni of BenoniStudio shows you how to speed up your workflow in Avid Media Composer by using Copy and Paste to quickly reuse clips across your timeline.
Paul Rubell, ACE, discusses how Media Composer liberates his editing process and allows him to create and save multiple versions.
Paul Machliss, ACE, gave us his full, finished Media Composer timeline of “Baby Driver”. Dig in and analyze the timeline set-up and his creative workflow for this fast-paced blockbuster.
Robert Leighton talks about his remarkable long-term relationship with director Rob Reiner and how technology has changed the art of editing.
Editor Chris McCaleb discusses how having an open mind and working on Media Composer are critical to solving scenes that aren’t working.
Lynne Willingham, ACE, editor of Breaking Bad and True Blood, discusses the benefits of Media Composer on projects involving creative collaboration.
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