Video Editing

  • Making The Cut: William Oswald — Feel the Rhythm, Find the Emotion

    Editor William Oswald talks about finding the rhythm of a scene, and the benefits of practicing with real rushes.

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  • Step Inside the Cutting Room with Eddie Hamilton, ACE and Analyze the Timeline of “Kingsman: The Golden Circle”

    Editor Eddie Hamilton, ACE, shares his finished Avid Media Composer timelines of Kingsman: The Golden Circle. Dig in and analyze the timeline setup and his creative workflow for this fast-paced spy flick.

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  • Avid Captures the Action for Icelandic Broadcaster RÚV

    RÚV, Iceland’s biggest public broadcaster, turns to Avid to increase the production value of its live sports coverage and increase newsroom efficiency.

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  • Making The Cut: Tony Cranstoun, ACE — The Art Remains the Same

    Tony Cranstoun, ACE recalls the transition from film editing to digital, and the impact that nonlinear technology had on the industry.

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  • Media Composer — Best of 2017

    Avid’s Matt Feury looks back at some of the great improvements that shaped Media Composer in 2017.

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  • A New World of Cultural Exchange

    Never before has it been more important for a new generation of Arab storytellers to embrace digital media as a tool for two-way cultural exchange.

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  • Avid Launches Young Storytellers Competition at Claremont High School

    Avid launches the first annual Young Storytellers competition in partnership with the Cinematic Arts Program at Claremont High School in Claremont, California.

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  • Making The Cut: Caroline Bleakley — Trust Your Instincts

    Caroline Bleakley edits television drama — trusting her instincts to taking time to review edit decisions.

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  • The A-List — Rachel Schreibman, Assistant Editor on “The Jungle Book”

    We asked assistant editor Rachel Schreibman (The Jungle Book) why young editors should download and use Media Composer | First. Get your FREE copy today!

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  • Making The Cut: Gordon Mason, ACE — Work, Work, Work

    Editor Gordon Mason, ACE discusses documentary editing work on projects such as Panorama and Who Do You Think You Are? at the American Cinema Editors Editfest 2017.

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  • A Day (and Night) in the Life of File-Based Post

    Take a stroll through a day (and night) in the life of File-Based Post with Matthew Schneider, Director of technology at Technicolor, and the challenges he encounters while storytelling.

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  • The A-List — Nancy Forner, ACE, Associate Professor of Cinema Practice at USC

    Nancy Forner, ACE, Associate Professor of Cinema Practice at USC shares advice for young, up and coming editors. Download your FREE copy of Media Composer | First today!

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