Video Editing

  • Spun Gold Opens New In-house Post Facility Powered by Avid Shared Storage and Artist Suites

    Avid NEXIS | PRO intelligent shared storage helps optimize media storage and workflow for UK post production facility Spun Gold.

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  • Join Avid at the HPA Tech Retreat 2017

    From innovations for agile post-production workflows to insights from technology experts — discover what Avid has in store at HPA Tech Retreat.

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  • Cutting the Shooting Script for Lady Gaga’s Super Bowl LI Halftime Show on Media Composer

    Lady Gaga’s Super Bowl Halftime Show was watched by 117 million people worldwide! Here’s how editor Guy Harding cut together set drawings, pre-visuals, and over 80 cameras to create the camera script.

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  • More Bodies, Fewer Cuts — Editing John Wick Chapter 2

    John Wick raised the bar for action movies across the board. Editor Evan Schiff explores the style and execution of its sequel, John Wick Chapter 2.

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  • Get Started Fast with NewBlue Titler Pro for Media Composer—Episode 4

    Learn the fundamentals of auto animation, keyframing and the elastic timeline in the fourth and final episode of our series ‘Get Started Fast With NewBlue Titler Pro for Media Composer’.

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  • Avid Celebrates the Art of Storytelling at the 2017 ACE Eddie Awards

    Avid was honored to sponsor the 2017 ACE Eddie Awards, where all of this year’s winners used Avid Media Composer as their editorial tool of choice.

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  • Efficient Archiving Yields Valuable Creative Time for Sakha NBC

    When Russia-based Sakha NBC needed an integrated and unified workflow to improve production and digitize archives, they turned to Avid workflow solutions to get the job done.

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  • Get Started Fast with NewBlue Titler Pro for Media Composer—Episode 3

    Discover the simplicity of creating rich multi-layer 3D styles in the third episode of our series ‘Get Started Fast With NewBlue Titler Pro for Media Composer’.

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  • Get Started Fast with NewBlue Titler Pro for Media Composer—Episode 2

    In this second video tutorial of our series, Kevin P McAuliffe focuses on helpful layout tools for multi-object designs inside NewBlue Titler Pro for Media Composer.

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  • Avid Tools Give Trollhunters’ Editorial Team a Leg Up on Pushing the Limits in Animation

    For editor Graham Fisher, the process of editing Guillermo del Toro’s “Trollhunters” has been pure creative bliss. The one rock-solid constant in the middle of this big production has been Avid Media Composer.

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  • Get Started Fast with NewBlue Titler Pro for Media Composer—Episode 1

    In the first episode of our series ‘Get Started Fast With NewBlue Titler Pro for Media Composer’, you will learn how to apply resolution independent titles to your timeline.

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  • Super 16, a Beautiful Dream, a First-Time Director, and a Low Take Count

    Avid Media Composer’s ability to do it all “in the box” saved editor Bryan Colvin an enormous amount of time, and kept him focused on telling the story of “Crossing”.

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