Editor Barry Alexander Brown prefers using Avid Media Composer to cut Spike Lee’s movies.
See how using Avid Pro Tools’ native support for Dolby Atmos pushed the boundaries on a proof of concept.
Learn why Avid Media Composer should be your video editing platform for reasons that go beyond its technical capabilities and…
Meet The Avengers team—editor Jeff Ford, assistant editors Robin Buday and Matt Schmidt—and hear how they helped create one of…
To commemorate this year’s Star Wars Day, Avid’s NAB 2018 special guest, editor Bob Ducsay, sent us a series of…
Francisco Antunes was asked to cut one of Brazil’s most expansive feature films ever made. The next thing he knows,…
Paul Machliss, ACE, gave us his full, finished Media Composer timeline of “Baby Driver”. Dig in and analyze the timeline…
Charity Kuria talks about her journey as an editor and her editing experience working on the feature film Supa Modo,…
Richard Cox talks about how he learns as much from teaching editing as his students do, and how an edit…
Stephen Ellis, ACE addresses the fears of young editors who don’t want to get it wrong… but shows that mistakes…
