Feature Films

  • Decoding the Academy Color Encoding System (ACES)—What Editors Need to Know

    The Academy Color Encoding System, or ACES, is an emerging standard in video production. Here’s what you should know.

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  • What Is the Interoperable Master Format? A Closer Look at IMF

    IMF is gaining traction as an industry standard. Here’s what you need to know.

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  • Open mic concept announcing predictions for media and entertainment industry

    3 Predictions for the Media and Entertainment Industry Emerging from COVID-19

    As the industry begins to emerge from COVID-19 lockdown, we predict shifts in these industry trends

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  • Step Inside the Cutting Room with Eddie Hamilton, ACE and Analyze the Timeline of “Kingsman: The Golden Circle”

    Editor Eddie Hamilton, ACE, shares his finished Avid Media Composer timelines of Kingsman: The Golden Circle. Dig in and analyze…

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  • Prepare Your ADR Cues Like a Pro With EdiCue

    Learn why EdiCue has become the industry standard to create ADR cues and produce the files required to have your…

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  • The Rough Cut: Jeff Groth, Editor of Joker

    Jeff Groth, editor of Joker, talks about working with director Todd Phillips, editing a character study and what he looks…

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  • The Role of Sound Design: From Early Editing Stages to Final Mix

    Sound gives the picture depth. Learn from storyteller Shahnaz Dulaimy about the role of sound design in film editing.

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  • Claremont High School Wins Five Film Awards using Avid Media Composer

    What do Avid, Media Composer, and the Claremont High School Cinematic Program have in common? The power to direct positive…

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  • Building an Editing Career with Avid Media Composer

    “Zinzana” is an Emirati thriller that combines violence with black comedy in a way that echoes Quentin Tarantino. It’s also…

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  • BlacKkKlansman Editor Barry Alexander Brown: “Cutting on Media Composer? To Me There Is No Second Choice!”

    Editor Barry Alexander Brown prefers using Avid Media Composer to cut Spike Lee’s movies.

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