Feature Films

  • BlacKkKlansman Editor Barry Alexander Brown: “Cutting on Media Composer? To Me There Is No Second Choice!”

    Editor Barry Alexander Brown prefers using Avid Media Composer to cut Spike Lee’s movies.

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  • Sound Designing and Mixing Immersive Audio for MEGAN

    See how using Avid Pro Tools’ native support for Dolby Atmos pushed the boundaries on a proof of concept.

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  • Boost Your Career with Media Composer

    Learn why Avid Media Composer should be your video editing platform for reasons that go beyond its technical capabilities and…

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  • Marvel's The Avengers

    Behind the Scenes: Marvel’s The Avengers

    Meet The Avengers team—editor Jeff Ford, assistant editors Robin Buday and Matt Schmidt—and hear how they helped create one of…

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  • ‘Star Wars: The Last Jedi’ Editor, Bob Ducsay, Shares Media Composer Timelines

    To commemorate this year’s Star Wars Day, Avid’s NAB 2018 special guest, editor Bob Ducsay, sent us a series of…

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  • Cutting ‘Nothing to Lose’ — Brazil’s Most Ambitious Feature Film

    Francisco Antunes was asked to cut one of Brazil’s most expansive feature films ever made. The next thing he knows,…

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  • Analyze the Full Media Composer Timeline of ‘Baby Driver’

    Paul Machliss, ACE, gave us his full, finished Media Composer timeline of “Baby Driver”. Dig in and analyze the timeline…

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  • Making the Cut: Charity Kuria – Catching her First Feature Film Break

    Charity Kuria talks about her journey as an editor and her editing experience working on the feature film Supa Modo,…

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  • Making The Cut: Richard Cox — Pushing the Right Buttons

    Richard Cox talks about how he learns as much from teaching editing as his students do, and how an edit…

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  • Making The Cut: Stephen Ellis, ACE — Working Without a Safety Net

    Stephen Ellis, ACE addresses the fears of young editors who don’t want to get it wrong… but shows that mistakes…

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