The Academy Color Encoding System, or ACES, is an emerging standard in video production. Here’s what you should know.
IMF is gaining traction as an industry standard. Here’s what you need to know.
As the industry begins to emerge from COVID-19 lockdown, we predict shifts in these industry trends
Editor Eddie Hamilton, ACE, shares his finished Avid Media Composer timelines of Kingsman: The Golden Circle. Dig in and analyze…
Learn why EdiCue has become the industry standard to create ADR cues and produce the files required to have your…
Jeff Groth, editor of Joker, talks about working with director Todd Phillips, editing a character study and what he looks…
Sound gives the picture depth. Learn from storyteller Shahnaz Dulaimy about the role of sound design in film editing.
What do Avid, Media Composer, and the Claremont High School Cinematic Program have in common? The power to direct positive…
“Zinzana” is an Emirati thriller that combines violence with black comedy in a way that echoes Quentin Tarantino. It’s also…
Editor Barry Alexander Brown prefers using Avid Media Composer to cut Spike Lee’s movies.
