Exploring the Sounds of ‘Dawn of the Planet of the Apes’ with Re-Recording Mixer Will Files
In this interview, Will Files, sound supervisor and re-recording mixer, talks about his work on the ‘Dawn of the Planet of the Apes’ and covers some of the technical aspects of pre-dubbing in Pro Tools, his use of plug-ins and how he approached mixing for Dolby Atmos.
The Rough Cut: Sean Albertson and Paul Harb
When it comes to editing top Hollywood film projects using Media Composer, Sean Albertson, ACE and Paul Harb have seen a ton of explosive action. In this raw interview, get an inside look at their collaboration on the new Sylvester Stallone blockbuster The Expendables 3.
Filmmaking: Don’t Wait. Just Edit.
If things had gone differently, William Goldenberg (known as Billy) would have been treating patients in 2012 instead of picking up the Academy Award for Film Editing for “Argo”. See what transformed Billy’s career learn what it takes to be a successful film editor.
Inside ‘The Expendables 3’ Editing Room with Sean Albertson, ACE and Paul Harb
When it comes to top Hollywood film projects, Sean Albertson, ACE, and Paul Harb have seen a ton of explosive action. Get an inside look at their collaboration in the editing suite on the latest Sylvester Stallone action film, The Expendables 3.
How To Cut Scenes for both IMAX and 35mm Distribution with ‘The Hunger Games: Catching Fire’ Editor Alan E. Bell, ACE
Director Francis Lawrence’s decision to shoot select scenes in IMAX added complexity to the final stage of the editing process. Learn how Bell and his team cut scenes for both IMAX and regular theaters.