The A-List
Behind the Scenes with the ‘Gravity’ Sound Design Team
Director Alfonso Cuarón wanted to leverage sound design to create an immersive experience for moviegoers—how did Avid help the sound designers realize his vision?
by Tom Graham3The Rough Cut: Bad Robot
Visit the creative team behind J.J. Abrams’s production company. Learn their approach to picture editorial, visual effects, sound mixing and editing, and more!
by Matt FeuryMixing ‘Gravity’ with Skip Lievsay is an Out-of-this-World Experience
We talked recently with ‘True Grit’ re-recording mixer Skip Lievsay about his latest film mix, ‘Gravity’. Skip creates incredibly compelling and engrossing soundtracks that draw viewers into the story. Hear why Skip takes a less-is-more approach to pro mixing.
by Tom GrahamRhythm, Pre-vis, and the Magic of Montage: The Making of British Indie Thriller ‘Last Passenger’
In this exclusive interview, ‘Twelve Years a Slave’ editor Joe Walker talks about his most recent project to hit theaters, the indie thriller, ‘Last Passenger’, directed and co-written by first-timer Omid Nooshin.
The Rough Cut: Greg Spence
Get an inside look at Game of Thrones visual effects process and how they blend great location scouting with digital imagery to make fantasy a reality.
by Matt FeuryThe Rough Cut: Morgan Spurlock
Documentary filmmaker Morgan Spurlock (Super-Size Me, The Greatest Movie Ever Sold) is proof that self-made success can be had.
by Matt FeuryThe Rough Cut: Eddie Hamilton
Eddie shares his passion for the art of editing and gives a behind-the-monitor look at the techniques he used on the films X-Men: First Class and Kick-Ass.
by Matt Feury