Timeline Tuesday
Editing for Justice — Brad Phelan Cuts “Justice by Any Means”
Editing the TV show “Justice By Any Means” connects Brad Phelan’s passion for storytelling to powerful stories that matter. That’s why he needs the best tool for the job—Avid Media Composer.
by Brad PhelanMore Bodies, Fewer Cuts — Editing John Wick Chapter 2
John Wick raised the bar for action movies across the board. Editor Evan Schiff explores the style and execution of its sequel, John Wick Chapter 2.
by Evan SchiffSuper 16, a Beautiful Dream, a First-Time Director, and a Low Take Count
Avid Media Composer’s ability to do it all “in the box” saved editor Bryan Colvin an enormous amount of time, and kept him focused on telling the story of “Crossing”.
by Bryan ColvinJosh Earl, ACE, Cuts Down 30,000 Hours of Footage to 18 Episodes for Discovery Channel’s “Deadliest Catch”
While Josh Earl, ACE, dabbled in many genres and techniques — from trailers to features, scripted to unscripted — editing Discovery Channel’s “Deadliest Catch” is one of the most challenging projects to date.
by Josh EarlScott Carnegie Writes, Directs, Produces and Edits Ultramarathon “Brain Freeze — The Great Slurpee Run”
What do you get when you combine an ultramarathon with Manitoba, the Slurpee capital of the world? Director, producer, writer, and co-editor Scott Carnagie tells the story of “Brain Freeze — The Great Slurpee Run”.
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