Timeline Tuesday
From Flatbed to Media Composer — Veteran Editor Ron Sussman Looks Back at 30 Years of Creative Tools
As Ron Sussman finishes the edit of Lisa Eastman’s documentary “Living Off The Manhole”, he takes us back to 1989. During that year’s NAB Show he saw the first demo of the Avid/1 and was instantly hooked.
by Ron Sussman7GA Gowtham Edits Breezy Love Song ‘Unnale Unnale’ on Avid Media Composer
Soon after its first rough cut, post production of music video “Unnale Unnale” moved from Mumbai to Chennai City in India. Editor Gowtham had to work against the clock to finish the project in just four days.
by GA GowthamThe Super Bowl Halftime Show—Guy Harding Cuts Multicamera Monster Projects (Part 2)
In his second Timeline Tuesday article, Guy Harding takes it up a notch. For the multicamera pre-edit of the Super Bowl Halftime Show he worked with 176 different cameras angles. Here’s how he did it.
by Guy HardingFrom U2 to Victoria’s Secret—Guy Harding Cuts Multicamera Monster Projects (Part 1)
LA-based editor Guy Harding has cut some of the largest multicamera live shows on the planet. In the first episode of this two-part blog series, Harding shares how he organizes a 66 multicamera project for a U2 show.
by Guy HardingSoundscaping the Trailer for Kickstarter Project ‘Magpie, the Untold Stories of World War II’
Thanks to the trailer video on their Kickstarter page, the team behind the movie ‘Magpie’ raised enough money to start filming. Here’s how sound designer Andrew McAlinden soundscaped the teaser film in Pro Tools.
Cutting an Escape, a Heist, and a Two-Act Action Sequence for the Season Finale of Marvel’s ‘Agent Carter’
By cutting drama, action, suspense, and comedy for the second season of Marvel’s TV show ‘Agent Carter’, editor Mark Hartzell gets a chance to flex all his different editorial storytelling muscles.
Editor Judith Allen Illustrates the Difference Between Cutting Animation and Live Action Films
Editor Judith Allen has a keen interest in animation, VFX, and drama editing—but above all, storytelling. In between projects, we asked her about the differences between cutting animation and live action films.
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