Check out the latest features in Media Composer 2019.12 with ACES capable workflows, OpenEXR encoding, HDR metadata triggering through IO hardware and enhancements to Avid Titler +
Thinking about a career in post production? Liz Tate, founder of Hootenanny, busts myths about the business and shares her advice for aspiring editors.
Learn why EdiCue has become the industry standard to create ADR cues and produce the files required to have your next ADR record session run smoothly
Jeff Groth, editor of Joker, talks about working with director Todd Phillips, editing a character study and what he looks for in an assistant editor
Avid Pro Tools joins Media Composer as a participant in the Netflix Post Technology Alliance, so our customers are able to meet Netflix’s high standards of quality with confidence.
Media Composer 2019.9 is here! Check out what’s new in this update
We unveiled new and improved products at IBC 2019 to enhance our existing lineup of flexible, collaborative tools that help creators get the job done.
Media Composer’s 2019 redesign relied on dozens of top editors and post pros, who shared their long lists of video editing feature requests and UI needs.
Sound gives the picture depth. Learn from storyteller Shahnaz Dulaimy about the role of sound design in film editing.
What do Avid, Media Composer, and the Claremont High School Cinematic Program have in common? The power to direct positive change in the world!
Avid will, once again, be at BroadcastAsia with products to engage the entire industry—from aspiring professionals right through to high-end post production and broadcasters.
From concept to final UI. Media Composer 2019 adds task-oriented workspaces to see just the tools you need — and hide what you don’t.
Find out more