Adobe Premiere Pro Editors, You Can Now Take Full Advantage of Avid Shared Storage
The Avid ISIS team and Adobe have worked closely to enhance the performance of Adobe Premiere Pro CC 2014 with ISIS 4.7. As a result, Adobe Premiere Pro editors can now take full advantage of the Avid ISIS Shared Storage.
Berlinale 2015: Gesa Marten Delivers a Master Class on Editing Documentary Films
Every year in February, Berlinale Talents brings 300 selected talents together with professionals from the international film industry. This creative platform has developed into one of the most exciting initiatives at the Berlinale Film Festival and this year Avid had the pleasure to host a networking lunch within the Editing…
Harbor Picture Company Delivers the Soundtrack for the Netflix Original Series ‘Marco Polo’ with Pro Tools | S6
“Marco Polo” is an epic adventure that follows the early years of the famous explorer as he travels the exotic Silk Road to the great Kublai Khan’s court. I recently sat down with mixers Roberto Fernandez and David Patterson from Harbor Sound to learn how they mixed the first 10…
Exploring the Sounds of ‘Dawn of the Planet of the Apes’ with Re-Recording Mixer Will Files
In this interview, Will Files, sound supervisor and re-recording mixer, talks about his work on the ‘Dawn of the Planet of the Apes’ and covers some of the technical aspects of pre-dubbing in Pro Tools, his use of plug-ins and how he approached mixing for Dolby Atmos.
Berlinale 2015: Deutsche Welle Trainees Bring Us Up Close with Berlinale Talents
Every year, 300 promising young filmmakers from all over the world take part in the Berlinale Talents. For this occasion, Deutsche Welle sets up a Production Studio at the venue HAU 3 in Berlin-Kreuzberg, where 33 trainees elaborate a selection of 20 video portraits of the Berlinale Talents participants. We…
Presenting Technicolor Creative Services Nominee for Best Post House at Broadcast Awards
The mission of Technicolor Creative Services is developing, creating and delivering immersive augmented digital life experiences that ignite our imagination. We had the pleasure to interview Tom Cotton, Vice President of Technicolor Creative Services .
Presenting Clear Cut Pictures Nominee for Best Post House at Broadcast Awards
According to Clear Cut Pictures, the lines between production and post production are increasingly getting blurred. They are a constant source of knowledge, able to advise on cameras and workflows in conjunction with the production team. We asked our questions to Horacio Queiro, CEO of Clear Cut Pictures.
Presenting Films@59 Nominee for Best Post House at Broadcast Awards
The aim of Films@59 remains the same today as when they first started… to make your pre and post production path as smooth and enjoyable an experience as possible. We talked with George Panayiotou, Business Development Manager of films@59.