Presenting Molinare Nominee for Best Post House at Broadcast Awards
Broadcast Award nominee Molinare is passionate about film and television. This comes across through their personal approach and the superb work they produce, ensuring their clients receive a high level of service. We had a chat with Julie Parmenter, Managing Director, and Steve Milne, Chairman of Molinare—check it out.
Presenting ENVY: Best Post Production House Winner at Broadcast Awards
ENVY Post Production is based in London and one of the leading post production houses in the UK. They work on programmes including factual, drama, comedy, documentaries and light entertainment. Natascha Cadle, Facility Director of ENVY Post Production, was happy to answer our questions.
Presenting HALO Post Production Nominee for Best Post House at Broadcast Awards
HALO Post Production provides a peaceful and attractive environment where production teams get expert support and where advice is freely available from skilled and creative operators, post-producers and support team. We presented our list of questions to John Rogerson, Chief Executive of HALO Post Production.
Pro Mixing: How Technicolor Toronto Collaborates in the Real World with Avid Everywhere
This is part two of our end-of-summer article about Technicolor Toronto and Re-recording Mixer Frank Morrone’s experience mixing ‘The Strain’. Here you’ll see an interview with Frank and other key folks at Technicolor Toronto and why they chose the Avid Everywhere integrated solutions and workflows for post mixing.
Media Composer 8.3 Now Available with Avid Resolution Independence
As of today, Media Composer | Software allows for native 2K, 4K and UHD editing and DNxHR, all part of Avid Resolution Independence. This latest update was announced at Avid Connect Europe 2014 and is all about High-Resolution edit, output, export, and the new DNxHR codec.
Production & Post Production Forum 2014: No Laughing Matter—Editing with Paul Machliss
Paul Machliss has carved out a serious reputation as a funny editor. Speaking at “Creating Compelling Stories”, part of Broadcast’s Production & Post Production Forum, at BAFTA in London on 6 November, Paul discussed the secret of his craft and reveals how technology has improved his ability as a storyteller.
Why the Pro Subharmonic Plug-in is a Definite Must-Have For My Audio Post Production
I’ve been using the Avid Pro Series since they were introduced and have been very impressed with how they have performed. So when the new Pro Series plug-ins were introduced, I knew they’d be worth checking out. After using Pro Subharmonic, here’s I like.