Video Editing

Video Editing

  • Presenting Molinare Nominee for Best Post House at Broadcast Awards

    Broadcast Award nominee Molinare is passionate about film and television. This comes across through their personal approach and the superb work they produce, ensuring their clients receive a high level of service. We had a chat with Julie Parmenter, Managing Director, and Steve Milne, Chairman of Molinare—check it out.

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  • Presenting ENVY: Best Post Production House Winner at Broadcast Awards

    ENVY Post Production is based in London and one of the leading post production houses in the UK. They work on programmes including factual, drama, comedy, documentaries and light entertainment. Natascha Cadle, Facility Director of ENVY Post Production, was happy to answer our questions.

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  • Presenting HALO Post Production Nominee for Best Post House at Broadcast Awards

    HALO Post Production provides a peaceful and attractive environment where production teams get expert support and where advice is freely available from skilled and creative operators, post-producers and support team. We presented our list of questions to John Rogerson, Chief Executive of HALO Post Production.

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  • Ex Machina

    Mark Day Talks an Intelligent Cut on ‘Ex Machina’

    Learn about the highly esteemed film and television editor Mark Day, his work on Ex Machina and why after using Avid for the first time, he never looked back.

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  • Pro Mixing: How Technicolor Toronto Collaborates in the Real World with Avid Everywhere

    Pro Mixing: How Technicolor Toronto Collaborates in the Real World with Avid Everywhere

    This is part two of our end-of-summer article about Technicolor Toronto and Re-recording Mixer Frank Morrone’s experience mixing ‘The Strain’. Here you’ll see an interview with Frank and other key folks at Technicolor Toronto and why they chose the Avid Everywhere integrated solutions and workflows for post mixing.

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  • Editing 4K and Beyond in Media Composer Now Available with Avid Resolution Independence Update

    Media Composer 8.3 Now Available with Avid Resolution Independence

    As of today, Media Composer | Software allows for native 2K, 4K and UHD editing and DNxHR, all part of Avid Resolution Independence. This latest update was announced at Avid Connect Europe 2014 and is all about High-Resolution edit, output, export, and the new DNxHR codec.

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  • Looking Back at Breaking Bad

    The Chemistry Behind the Cut

    Vince Gilligan’s “Breaking Bad” was one of the most-watched shows on cable television. Some said it was the greatest television series of all time. Experience the chemistry behind the epic— meet the editors behind the iconic series.

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  • The Rough Cut: Mark Sanger

    The Rough Cut: Mark Sanger

    Acclaimed Editor Mark Sanger, ACE worked closely with director Alfonso Cuarón to create an unforgettable sensory experience for viewers with the film, Gravity. Watch this unique interview to explore how Sanger used Media Composer tools to shape the story.

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  • Paul Machliss

    Production & Post Production Forum 2014: No Laughing Matter—Editing with Paul Machliss

    Paul Machliss has carved out a serious reputation as a funny editor. Speaking at “Creating Compelling Stories”, part of Broadcast’s Production & Post Production Forum, at BAFTA in London on 6 November, Paul discussed the secret of his craft and reveals how technology has improved his ability as a storyteller.

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  • How To Use Dynamic Media Folders in Avid Media Composer Software

    How to Use Dynamic Media Folders in Avid Media Composer Software

    With Dynamic Media Folders, non-creative media tasks such as transcoding, copying, and consolidating can be automated in the background, without disrupting your editorial flow.

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  • Follow the Path of Oscar Winning Editor Mark Sanger

    Follow the Path of Oscar® Winning Editor Mark Sanger

    We joined editor Mark Sanger on the road as he visited schools in Dubai, Paris, and Munich. Eager students welcomed him at each stop, seeking insight into his experience collaborating with Alfonso Cuarón and Tim Burton.

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  • Filmmaking: Why the Pro Subharmonic Plug-in is a Definite Must-Have For My Audio Post Production

    Why the Pro Subharmonic Plug-in is a Definite Must-Have For My Audio Post Production

    I’ve been using the Avid Pro Series since they were introduced and have been very impressed with how they have performed. So when the new Pro Series plug-ins were introduced, I knew they’d be worth checking out. After using Pro Subharmonic, here’s I like.

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