Video Editing

Video Editing

  • BAFTA 2015: Film Craft the Editing Session

    On the day before its glittering 2015 award ceremony, BAFTA gathered a venerable group of past and present film craft nominees to share their experiences and discuss this year’s nominated films.

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  • Presenting Technicolor Creative Services Nominee for Best Post House at Broadcast Awards

    The mission of Technicolor Creative Services is developing, creating and delivering immersive augmented digital life experiences that ignite our imagination. We had the pleasure to interview Tom Cotton, Vice President of Technicolor Creative Services .

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  • Presenting Clear Cut Pictures Nominee for Best Post House at Broadcast Awards

    According to Clear Cut Pictures, the lines between production and post production are increasingly getting blurred. They are a constant source of knowledge, able to advise on cameras and workflows in conjunction with the production team. We asked our questions to Horacio Queiro, CEO of Clear Cut Pictures.

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  • Presenting Films@59 Nominee for Best Post House at Broadcast Awards

    The aim of Films@59 remains the same today as when they first started… to make your pre and post production path as smooth and enjoyable an experience as possible. We talked with George Panayiotou, Business Development Manager of films@59.

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  • Presenting Molinare Nominee for Best Post House at Broadcast Awards

    Broadcast Award nominee Molinare is passionate about film and television. This comes across through their personal approach and the superb work they produce, ensuring their clients receive a high level of service. We had a chat with Julie Parmenter, Managing Director, and Steve Milne, Chairman of Molinare—check it out.

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  • Presenting ENVY: Best Post Production House Winner at Broadcast Awards

    ENVY Post Production is based in London and one of the leading post production houses in the UK. They work on programmes including factual, drama, comedy, documentaries and light entertainment. Natascha Cadle, Facility Director of ENVY Post Production, was happy to answer our questions.

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  • Presenting HALO Post Production Nominee for Best Post House at Broadcast Awards

    HALO Post Production provides a peaceful and attractive environment where production teams get expert support and where advice is freely available from skilled and creative operators, post-producers and support team. We presented our list of questions to John Rogerson, Chief Executive of HALO Post Production.

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  • Ex Machina

    Mark Day Talks an Intelligent Cut on ‘Ex Machina’

    Learn about the highly esteemed film and television editor Mark Day, his work on Ex Machina and why after using Avid for the first time, he never looked back.

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  • Pro Mixing: How Technicolor Toronto Collaborates in the Real World with Avid Everywhere

    Pro Mixing: How Technicolor Toronto Collaborates in the Real World with Avid Everywhere

    This is part two of our end-of-summer article about Technicolor Toronto and Re-recording Mixer Frank Morrone’s experience mixing ‘The Strain’. Here you’ll see an interview with Frank and other key folks at Technicolor Toronto and why they chose the Avid Everywhere integrated solutions and workflows for post mixing.

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  • Editing 4K and Beyond in Media Composer Now Available with Avid Resolution Independence Update

    Media Composer 8.3 Now Available with Avid Resolution Independence

    As of today, Media Composer | Software allows for native 2K, 4K and UHD editing and DNxHR, all part of Avid Resolution Independence. This latest update was announced at Avid Connect Europe 2014 and is all about High-Resolution edit, output, export, and the new DNxHR codec.

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  • Looking Back at Breaking Bad

    The Chemistry Behind the Cut

    Vince Gilligan’s “Breaking Bad” was one of the most-watched shows on cable television. Some said it was the greatest television series of all time. Experience the chemistry behind the epic— meet the editors behind the iconic series.

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  • The Rough Cut: Mark Sanger

    The Rough Cut: Mark Sanger

    Acclaimed Editor Mark Sanger, ACE worked closely with director Alfonso Cuarón to create an unforgettable sensory experience for viewers with the film, Gravity. Watch this unique interview to explore how Sanger used Media Composer tools to shape the story.

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