The Rough Cut: Sean Albertson and Paul Harb
When it comes to editing top Hollywood film projects using Media Composer, Sean Albertson, ACE and Paul Harb have seen a ton of explosive action. In this raw interview, get an inside look at their collaboration on the new Sylvester Stallone blockbuster The Expendables 3.
Filmmaking: Don’t Wait. Just Edit.
If things had gone differently, William Goldenberg (known as Billy) would have been treating patients in 2012 instead of picking up the Academy Award for Film Editing for “Argo”. See what transformed Billy’s career learn what it takes to be a successful film editor.
Why the Pro Multiband Dynamics Plug-in is a Definite Must-Have For My Audio Post Production
I’ve been using the Avid Pro Series since they were introduced and have been very impressed with how they have performed. So when the new Pro Series plug-ins were introduced, I knew they’d be worth checking out. After using them, here’s I like.
Media Composer 8.2 Keeps You Focused on Creative Editorial with Background Rendering
Today, Avid released the latest update to Media Composer | Software introducing Background Rendering. This new feature will increase your productivity, let you spend more time on creative storytelling, and deliver your projects on time, beating the deadlines. See what else is new…
Pro Tools Sound Effects Library Searching Made Faster and More Efficient with New Workspace Browser
One of the new features in Pro Tools 11 is a completely rebuilt workspace browser that’s faster and more efficient than ever. If you’re looking for a quick way to search your sound effects collection, there’s no easier way than with the workspace browser—here’s how.
Inside ‘The Expendables 3’ Editing Room with Sean Albertson, ACE and Paul Harb
When it comes to top Hollywood film projects, Sean Albertson, ACE, and Paul Harb have seen a ton of explosive action. Get an inside look at their collaboration in the editing suite on the latest Sylvester Stallone action film, The Expendables 3.
Filmmaking: With A Special Wish the Editing and VFX Community Unite to Make a Teen’s Dream Come True
I had the good fortune to help plan activities for a special effects and film editing buff who’s undergoing cancer treatment. While he has had a difficult battle, the trip served as a good focal point for getting better and, thanks to everyone involved, his hope for a brighter future.
How To Cut Scenes for both IMAX and 35mm Distribution with ‘The Hunger Games: Catching Fire’ Editor Alan E. Bell, ACE
Director Francis Lawrence’s decision to shoot select scenes in IMAX added complexity to the final stage of the editing process. Learn how Bell and his team cut scenes for both IMAX and regular theaters.