Video Editing

Video Editing

  • Paul Machliss

    Production & Post Production Forum 2014: No Laughing Matter—Editing with Paul Machliss

    Paul Machliss has carved out a serious reputation as a funny editor. Speaking at “Creating Compelling Stories”, part of Broadcast’s Production & Post Production Forum, at BAFTA in London on 6 November, Paul discussed the secret of his craft and reveals how technology has improved his ability as a storyteller.

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  • How To Use Dynamic Media Folders in Avid Media Composer Software

    How to Use Dynamic Media Folders in Avid Media Composer Software

    With Dynamic Media Folders, non-creative media tasks such as transcoding, copying, and consolidating can be automated in the background, without disrupting your editorial flow.

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  • Follow the Path of Oscar Winning Editor Mark Sanger

    Follow the Path of Oscar® Winning Editor Mark Sanger

    We joined editor Mark Sanger on the road as he visited schools in Dubai, Paris, and Munich. Eager students welcomed him at each stop, seeking insight into his experience collaborating with Alfonso Cuarón and Tim Burton.

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  • Filmmaking: Why the Pro Subharmonic Plug-in is a Definite Must-Have For My Audio Post Production

    Why the Pro Subharmonic Plug-in is a Definite Must-Have For My Audio Post Production

    I’ve been using the Avid Pro Series since they were introduced and have been very impressed with how they have performed. So when the new Pro Series plug-ins were introduced, I knew they’d be worth checking out. After using Pro Subharmonic, here’s I like.

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  • The Expendables 3

    The Rough Cut: Sean Albertson and Paul Harb

    When it comes to editing top Hollywood film projects using Media Composer, Sean Albertson, ACE and Paul Harb have seen a ton of explosive action. In this raw interview, get an inside look at their collaboration on the new Sylvester Stallone blockbuster The Expendables 3.

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  • Billy Goldenberg

    Filmmaking: Don’t Wait. Just Edit.

    If things had gone differently, William Goldenberg (known as Billy) would have been treating patients in 2012 instead of picking up the Academy Award for Film Editing for “Argo”. See what transformed Billy’s career learn what it takes to be a successful film editor.

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  • Filmmaking: Why the Pro Multiband Dynamics Plug-in is a Definite Must-Have For My Audio Post Production

    Why the Pro Multiband Dynamics Plug-in is a Definite Must-Have For My Audio Post Production

    I’ve been using the Avid Pro Series since they were introduced and have been very impressed with how they have performed. So when the new Pro Series plug-ins were introduced, I knew they’d be worth checking out. After using them, here’s I like.

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  • Pro Tools Academic Gets New Cloud Collaboration and Support Features with the Upgrade/Support Plan for Educators and Students

    Pro Tools For Education Gets New Cloud Collaboration Features with the Upgrade Plan

    Starting October 10, 2014, we have made enhancements to the Pro Tools Academic package in preparation for new features coming to Pro Tools in 2015. Let’s explore all the options.

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  • Media Composer 8.2 Keeps You Focused on Creative Editorial with Background Rendering

    Today, Avid released the latest update to Media Composer | Software introducing Background Rendering. This new feature will increase your productivity, let you spend more time on creative storytelling, and deliver your projects on time, beating the deadlines. See what else is new…

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  • Filmmaking: Why Do We Need Color Correction

    Why Do We Need Color Correction?

    We are often asked what a Colorist does in the film & television industry. In this short video we’ve given several examples of why and when color correction can improve a video.

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  • Music: Pro Tools Sound Effects Library Searching Made Faster and More Efficient with New Workspace Browser

    Pro Tools Sound Effects Library Searching Made Faster and More Efficient with New Workspace Browser

    One of the new features in Pro Tools 11 is a completely rebuilt workspace browser that’s faster and more efficient than ever. If you’re looking for a quick way to search your sound effects collection, there’s no easier way than with the workspace browser—here’s how.

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  • Inside 'The Expendables 3' Editing Room with Sean Albertson, ACE and Paul Harb

    Inside ‘The Expendables 3’ Editing Room with Sean Albertson, ACE and Paul Harb

    When it comes to top Hollywood film projects, Sean Albertson, ACE, and Paul Harb have seen a ton of explosive action. Get an inside look at their collaboration in the editing suite on the latest Sylvester Stallone action film, The Expendables 3.

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