Video Editing

Mixing ‘Gravity’ with Skip Lievsay is an Out-of-this-World Experience
We talked recently with ‘True Grit’ re-recording mixer Skip Lievsay about his latest film mix, ‘Gravity’. Skip creates incredibly compelling and engrossing soundtracks that draw viewers into the story. Hear why Skip takes a less-is-more approach to pro mixing.
November 14, 2013 by Tom Graham
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Create the Perfect Shot with Filmlight Baselight for Avid—Now Available on Windows
See how you can make high-quality color corrections with the powerful grading tools in Filmlight Baselight for Avid—now available for Windows.
November 1, 2013 by Martin Tlaskal
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Rhythm, Pre-vis, and the Magic of Montage: The Making of British Indie Thriller ‘Last Passenger’
In this exclusive interview, ‘Twelve Years a Slave’ editor Joe Walker talks about his most recent project to hit theaters, the indie thriller, ‘Last Passenger’, directed and co-written by first-timer Omid Nooshin.
October 25, 2013 by Cristen Reading
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The Rough Cut: Greg Spence
Get an inside look at Game of Thrones visual effects process and how they blend great location scouting with digital imagery to make fantasy a reality.
May 28, 2013 by Matt Feury
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Understanding the Audio EQ Tool
Gain a general understanding of the EQ Tool in Media Composer and learn what it allows you to adjust.
April 30, 2013 by Benjamin Hershleder
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The Evolution of a Platform
It has taken many years of development, but with Pro Tools 11 and AAX, we believe we have truly created the highest performance, most deterministic, lowest latency DAW and plug-in platform in the world.
April 8, 2013 by David Tremblay
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The Rough Cut: Morgan Spurlock
Documentary filmmaker Morgan Spurlock (Super-Size Me, The Greatest Movie Ever Sold) is proof that self-made success can be had.
March 21, 2013 by Matt Feury
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Working with Audio in the Track Control Panel
Tips and shortcuts for a part of the Media Composer timeline that doesn’t always get a lot of attention–Track Control Panel.
March 21, 2013 by Rob D'Amico
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The Rough Cut: Eddie Hamilton
Eddie shares his passion for the art of editing and gives a behind-the-monitor look at the techniques he used on the films X-Men: First Class and Kick-Ass.
February 13, 2013 by Matt Feury
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Understanding Filler
I was thinking about how many of the editors who are beginning to add Media Composer to their digital tool kit are often initially confused by Filler.
February 11, 2013 by Benjamin Hershleder
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