Video Editing

Video Editing

  • Mixing Gravity with Skip Lievsay

    Mixing ‘Gravity’ with Skip Lievsay is an Out-of-this-World Experience

    We talked recently with ‘True Grit’ re-recording mixer Skip Lievsay about his latest film mix, ‘Gravity’. Skip creates incredibly compelling and engrossing soundtracks that draw viewers into the story. Hear why Skip takes a less-is-more approach to pro mixing.

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  • Create the Perfect Shot with Filmlight Baselight for Avid—Now Available on Windows

    See how you can make high-quality color corrections with the powerful grading tools in Filmlight Baselight for Avid—now available for Windows.

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  • Rhythm, Pre-vis, and the Magic of Montage: The Making of British Indie Thriller ‘Last Passenger’

    Rhythm, Pre-vis, and the Magic of Montage: The Making of British Indie Thriller ‘Last Passenger’

    In this exclusive interview, ‘Twelve Years a Slave’ editor Joe Walker talks about his most recent project to hit theaters, the indie thriller, ‘Last Passenger’, directed and co-written by first-timer Omid Nooshin.

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  • The Rough Cut: Greg Spence

    Get an inside look at Game of Thrones visual effects process and how they blend great location scouting with digital imagery to make fantasy a reality.

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  • Understanding the Audio EQ Tool

    Gain a general understanding of the EQ Tool in Media Composer and learn what it allows you to adjust.

    by Benjamin Hershleder
  • The Evolution of a Platform

    It has taken many years of development, but with Pro Tools 11 and AAX, we believe we have truly created the highest performance, most deterministic, lowest latency DAW and plug-in platform in the world.

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  • The Rough Cut Morgan Spurlock

    The Rough Cut: Morgan Spurlock

    Documentary filmmaker Morgan Spurlock (Super-Size Me, The Greatest Movie Ever Sold) is proof that self-made success can be had.

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  • Working with Audio in the Track Control Panel

    Tips and shortcuts for a part of the Media Composer timeline that doesn’t always get a lot of attention–Track Control Panel.

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  • The Rough Cut Eddie Hamilton

    The Rough Cut: Eddie Hamilton

    Eddie shares his passion for the art of editing and gives a behind-the-monitor look at the techniques he used on the films X-Men: First Class and Kick-Ass.

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  • Understanding Filler

    I was thinking about how many of the editors who are beginning to add Media Composer to their digital tool kit are often initially confused by Filler.

    by Benjamin Hershleder
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